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　　“For two years starting in 2020, this work has been forming along the edges of disquiet and premonition, in fragments and intensities, through wandering and not-staying. It has tried to find language for and ways across the bizarre upheavals of social and political values with the rise of fascism in India and a global pandemic. It has insisted on being amongst the things that keep from falling apart. Filmed in Delhi, these incomplete fictions are of the people, places, and protests that keep the language of hatred at bay and absorb the city’s grief and euphoria. In them are the continuous echoes of a violent and tenuous present.
　　The false closures and tenuous associations in this video/essay compose a timeline of the city at an angle through the time of this work. There is a shadowy sense of a protagonist who un-dreams it all; a stranger, who it turns out, is no stranger at all.” Priya Sen

　　Five star movies制作

“沉水入火，九霄琴出；當(dāng)今之世，誰敢爭鋒?！笔墙辛鱾髁税倌甑拿?。傳聞得九霄琴者可一統(tǒng)江湖，號令天下?？墒菂s鮮有人知，這背后其實(shí)還有一句預(yù)言，那就是——“逆天犯順，浩劫難當(dāng)；欲要平治，祭琴舍身?！痹跔帄Z此琴的過程中，世人拼得你死我活，九霄琴也輾轉(zhuǎn)流傳，終被大將軍尉遲秋聲取得，帶回了鳳樂王朝。為使此琴不再危害江湖，國主將其交給了淡薄名利的祭司蓮一。在她至純至凈的樂律下，九霄琴成功認(rèn)主，展現(xiàn)出強(qiáng)大的御敵之力。至此，九霄琴被奉為鳳樂王朝的鎮(zhèn)國之寶，江湖武林也回歸了短暫的平靜?？蓢鴮氈€是引來了鄰國的覬覦，亂戰(zhàn)侵襲了整個(gè)鳳樂王朝，尉遲秋聲和蓮一不忍蒼生罹難，力戰(zhàn)敵軍，終用生命換來了家國太平，九霄琴也就此遺失。十七年一晃而過，鳳樂王朝河清海晏，百姓盡享太平盛世，可此時(shí)的江湖武林卻暗流涌動。神秘的青囊坊坊主廣發(fā)英雄帖，邀請武林中的能人異士前去試樂，揚(yáng)言要以洪崖先生親手所譜的樂律為賞，頒給試樂大會上博得頭籌的樂師。神秘古怪的少女靈均、容貌俊美的樂師伶?zhèn)愅瑫r(shí)出現(xiàn)在了城門口，一番誤會打斗，靈均的包袱里竟然掉出了消失多年的九霄琴。不打不相識的二人一路通行，揭開了塵封已久的秘密。