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　　Carla某天接到她妹妹的電話說，她們的爸爸已經(jīng)很久不說話了，好像是生病了。Carla當(dāng)天就急忙飛回了家——阿爾梅里。在那里，當(dāng)醫(yī)生們說她的父親就剩下幾個月的生命時(shí)，她不相信，決定帶父親去巴塞羅那治病。就這樣，兩人踏上了一段逃離現(xiàn)實(shí)的旅行，在這段逃離中，他們最終會揮手說再見。
　　該部影片獲得了2018年西班牙戈雅獎3項(xiàng)提名，其中包括最佳新人導(dǎo)演、最佳女主角和最佳女配角。

　　（原描述為第一部的故事梗概）
　　Amaia after breaking up with Rafa, falls in love with a Catalonian. Koldo, her father, goes to Sevilla to persuade Rafa to go to Catalonia and take Amaia's heart back.
　　阿瑪雅與拉法心碎分手，竟和加泰羅尼亞男人墜入愛河。阿瑪雅的父親科爾多遠(yuǎn)赴塞維利亞說服拉法同去巴塞羅那，誓要阿瑪雅回心轉(zhuǎn)意。

　　一個妻子申請離婚的男人在彩票中贏得了2500萬歐元，她躲藏起來以防止分享一半的獎金。

　　瑪莉亞，一個年輕的美術(shù)學(xué)生，決定和她的搭檔朱利奧在她父母居住的小鎮(zhèn)上共度周末，到達(dá)之后，她卻發(fā)現(xiàn)了殘酷的現(xiàn)實(shí)....

　　三位理科宅男，大學(xué)時(shí)期就是換帖好友，畢業(yè)後卻面臨金融風(fēng)暴而失業(yè)，只好隨便找份工作餬口。某天，成為化學(xué)系教授的貝德羅（大衛(wèi)貝爾塔格飾演），打造出一款增強(qiáng)注意力的維生素，卻因?yàn)檠芯拷?jīng)費(fèi)不足慘遭校方解雇。走投無路之下，貝德羅竟揪兩位好友一起吞了這款維生素，更意外發(fā)現(xiàn)這款藥丸不但沒有副作用，還會讓人情緒高亢！於是，他們決定不當(dāng)乖乖牌，開始走歪路開啟製毒事業(yè)，想靠賣藥日進(jìn)斗金，天天開趴嗨到翻。不過他們?nèi)f萬沒想到，原本平凡的生活，就這樣陷入充滿危險(xiǎn)的夜世界…。

　　平靜的一天，事業(yè)小有成就的中年男子杰米（費(fèi)爾南多·卡約 Fernando Cayo 飾）和妻子瑪爾塔（安娜·瓦格納 Ana Wagener 飾）、女兒伊莎（曼紐拉·維拉斯 Manuela Vellés 飾）搬入了夢寐以求的大房子內(nèi)。正當(dāng)一家人爭論晚上該不該一起度過時(shí)，三個蒙面歹徒闖入房中。為了保護(hù)家人的安全，杰米積極配合，抄下了信用卡號碼并交出手機(jī)，并隨同歹徒的首領(lǐng)外出取錢。他時(shí)刻尋找機(jī)會報(bào)警，卻不知自己所面對的是根本不會妥協(xié)的冷血惡魔。另一方面，不斷有訪客扣響杰米家的房門，恐慌的瑪爾塔母女則想盡一切辦法逃脫，似乎又讓一切變得更加糟糕。
　　似無止境的長夜，愈加黑暗幽冷……

　　普通的一個白天，11個普通人被困在一個簡陋的酒吧里。里面有老板廚子，有熟客，有偶然進(jìn)去尋找充電器的陌生人。但是突然之間，大家發(fā)現(xiàn)出去的人就要被殺死，而酒吧內(nèi)部也漸漸危機(jī)四伏。

　　A Christmas tale, a romantic comedy and the story of a man in his 30s who learns reluctantly to get carried away by the Christmas spirit.

　　Maca (María Valverde), 30 years old and clumsy by nature, makes the most of life and strives to be happy. Maca's talent is wasted working as an assistant for an oppressive and terrifying fashion influencer and she spends her time with guys with whom she never manages to establish an emotional bond. Together with Jimena (Elísabet Casanovas) and Adriana (Susana Abaitúa), her two unique and lovable friends who are always ready to do whatever it takes to make their problems not seem so bad, Maca has managed to make Madrid a city where everything is possible. Everything seems to be going well until he-who-must-not-be-named comes back into her life. Leo (Alex González), the love and biggest mistake of her life, the man who tore her heart apart, obliterated her self-esteem and her faith in men, comes back into her life to turn everything upside down. Maca has tried to forget him, but now she has to accept that he has returned and face the emotions she has locked away to deal with the unforgettable memory of what could have been and never was. Old wounds are reopened and Maca will have to be brave and confront her conflicts, fears and insecurities in order to finally take control of her life.

　　Ana is a girl from Seville, who's sick of her family and the problematic neighborhood they live in. But things are about to get even worse when her mother, in a desperate attempt not to get evicted, comes up with a cunning plan...

　　Malvís (Alfredo Landa) is sick of working like crazy for nothing. He'd rather become a bandit, that's much better, he's gonna be the fearful Fendetestas! He'll spread panic in the woods of his region. But there's a little problem: there aren't much people living in his region, everyone knows everyone and everyone is so poor, so is gonna be difficult that someone takes Malvís/Fendetestas too seriously.
　　This is a magic history, so funny, and full of situations that will make you laugh. It's also full of characters that belong to the Spanish idiosyncrasy: the strict priest, the Guardia Civil, the old devout women, the village idiot... there's even a lost soul wandering around the woods.
　　The great Alfredo Landa heads a cast that gathered together the best two generations of Spanish scene: from Fernando Rey to Encarna Paso, from Manuel Alexandre to María Isbert... A cast like that would be just unthinkable nowadays. "El Bosque Animado" was the first movie of José Luis Cuerda's trilogy of rural comedies (after this one he made the surreal "Amanece Que No Es Poco", and "Así En El Cielo Como En La Tierra". Those are movies so personal that stress the Spanish culture. The young directors should take note of films like "El Bosque Animado", instead of trying to be the new "enfant terrible" and imitating US worst cinema.