Stanley, an aging fast food worker, prepares to work his final graveyard shift after 38 years. When he’s asked to train his replacement, Jevon, Stanley’s weekend takes an unexpected turn.

　　This film marks the directorial debut of Robert Benayoun. An artist (Richard Leduc) attending a party smokes some dope and develops the ability to see into the future and the past. He returns to his apartment where he sees the vision of a woman who had lived there 30 years ago. A friend tries to convince him it is his heightened sensitively as an artist that allows for the newfound abilities, but he soon has psychedelic hallucinations and his abilities increase with time. Stop-motion photography is effectively used in his sequence of visual experiences where the people exist but not the city in this metaphysical story.

在并不遙遠(yuǎn)的2024年，人類社會(huì)危機(jī)重重。地球能源日漸枯竭，世界經(jīng)濟(jì)開始崩潰。Trexx集團(tuán)將地鐵連接成巨大的網(wǎng)絡(luò)，名之為Metro。在這個(gè)網(wǎng)絡(luò)具象化的世界里，人們躲在地下，如同工蟻一般奔忙勞碌，無欲無求。羅格（文森特·加洛 Vincent Gallo 配音）是一名電話接待員，與其他人相比，他似乎顯得過于孤僻。在人們都習(xí)慣了地鐵生活之時(shí)，只有羅格每天騎著單車上下班，穿梭于充滿污染和破敗的城市街頭，孤獨(dú)無助。直到某天早晨，羅格的自行車被人毀壞，他不得不乘坐地鐵上班。一段奇妙的經(jīng)歷就此展開……
本片榮獲2009年斯德哥爾摩電影節(jié)最佳音樂獎(jiǎng)、2009年威尼斯電影節(jié)未來數(shù)字電影獎(jiǎng)