簡介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場感官的極致盛宴。每一次心跳，都是對寂寞長夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡介：一名曾經(jīng)炙熱的拳擊選手（樸成雄飾），在比賽過程中導(dǎo)致對方死亡，在監(jiān)獄服刑后想要誠實(shí)生活；而他的一位朋友（吳代煥飾）卻在不擇手段地想要獲得成功?！　蓚€(gè)男人清算了過去，在過上新生活中，為選擇不同道路而萌生了殘酷陰謀，也導(dǎo)致了背叛。

簡介：春的伴侶、精神科醫(yī)生宗一郎離開了她。春碰巧幫助了一位失憶的陌生年輕男人。春的弟弟毅是一位說唱歌手，他的妻子美香子支持著他的事業(yè)，同時(shí)撫養(yǎng)他們的孩子。美香子因?yàn)樾睦砑膊∏笾谧谝焕?。在毅的一次現(xiàn)場表演上，毅和宗一郎陷入爭執(zhí)。年輕男人離開了春，而美香子離開了毅……

簡介：宮澤飾演的主人公井川迅因?yàn)楹ε卤恢車酥雷约菏莋ay而獨(dú)自從東京來到鄉(xiāng)下，他曾經(jīng)喜歡的日比野渚（藤原季節(jié)）卻時(shí)隔8年帶著女兒再次出現(xiàn)。

簡介：故事發(fā)生在圣米歇爾，蒙特利爾貧民區(qū)，也被稱為犯罪問題嚴(yán)重的地方。羅納德是一個(gè)年輕的混血兒，在他八歲的時(shí)候他看見父親謀殺了他的媽媽，這就是為什么他等待著有一天當(dāng)他終于可以為自己的媽媽的死負(fù)責(zé)。羅納德一直是街頭暴力團(tuán)伙重要成員。..

簡介：想過自己為何會(huì)單身嗎？單身理由千百種，有人是因?yàn)閻郾г?，有人是因?yàn)樘ㄐ模灿腥耸且驗(yàn)樘那?。但小琳的理由竟是因?yàn)椤缚吹玫焦怼?。被甩之后，她決定收拾心情、背起行囊，一人踏上失戀療傷之旅。小琳孤身前往泰北的丘媚潘步道療傷，因此遇見小普，這個(gè)在感情和工作方面雙雙受挫的魯蛇編劇，為了尋找寫鬼片劇本的靈感，想找看得到鬼的人幫忙，兩個(gè)低潮的人意外相遇，并展開了一連串的冒險(xiǎn)。

簡介：Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

簡介：一群身在異鄉(xiāng)的海外華人用生命捍衛(wèi)著“華人團(tuán)結(jié)”這幾個(gè)字。當(dāng)他們面對親人被綁架時(shí)勇敢挺身為尊嚴(yán)而戰(zhàn)。他們不曾忘記自己是炎黃子孫而永斗武裝悍匪并成功解救被綁架人質(zhì)。本片表達(dá)了在“外”漂泊的游子想回到我們?nèi)找鎻?qiáng)大的祖國母親懷抱的迫切心情，喚起生活在和平社會(huì)的我們要珍惜當(dāng)下，熱愛祖國。

簡介：在清澈的小河邊，鴨爸爸正焦急地走來走去，原來他的妻子正在孵化小鴨。經(jīng)過痛苦漫長的等待，毛茸茸的小鴨子相繼破殼而出。看著健康可愛的孩子，鴨爸爸欣喜過望，狂親自己的老婆。正在這時(shí)，最后一枚蛋也蠢蠢欲動(dòng)，結(jié)果出來的竟是一只傻乎乎的白色小鴨子。這可氣壞了鴨爸爸，他懷疑老婆不忠，于是兩口子發(fā)生爭吵，最終鴨爸爸絕情離去。鴨媽媽不甘示弱，決心獨(dú)自撫養(yǎng)這群孩子。她帶著寶貝兒們游泳嬉鬧，卻獨(dú)獨(dú)不喜歡那個(gè)令她失去愛人的白色小鴨子。小白鴨受盡其他小動(dòng)物的奚落，自認(rèn)為丑陋的他悲傷不已……　　本片榮獲1940年奧斯卡電影節(jié)最佳動(dòng)畫短片獎(jiǎng)。

簡介：

根據(jù)1977年夏天紐約市歷史上第一次連續(xù)殺人事件改編的動(dòng)感十足的史詩性影片，天才黑人導(dǎo)演斯派克-李的第13部作品 1977年夏天的紐約市發(fā)生了歷史上第一次連續(xù)殺人事件。小報(bào)為了增加發(fā)行量，紛紛稱這位讓市民人心惶惶的兇手為「山姆之子」。為了盡早揪出十惡不赦的變態(tài)殺人狂，一位黑手黨的老大決定懸賞「山姆之子」。喬依與他的狐朋狗友們開始加入緝捕兇嫌的活動(dòng)。他們把心目中所認(rèn)定住家附近的變態(tài)全列舉出來，開使始獵殺的活動(dòng)。他們鎖定一位龐克滾小牌明星，瑞奇為對象，為終結(jié)他們恐懼的代羔羊！

簡介：　　一個(gè)奇怪的國際組合，拍成了一部冒險(xiǎn)動(dòng)作片。本片編劇是日本大師黑澤明，導(dǎo)演是俄裔安德烈·科察洛夫斯基，主演是美國的喬恩·沃伊特、埃里克·羅伯斯、芮貝卡·德·莫爾，拍攝地點(diǎn)則在冰天雪地的加拿大。劇情描述在美國西北的監(jiān)獄，重犯曼尼在飽受折磨之下決定越獄，刑期將滿的貝克也被拖下水，登上一列開往阿拉斯加的運(yùn)貨火車逃獄。當(dāng)他們以為大功告成時(shí)，列車竟然失控，被迫往車毀人亡的終點(diǎn)前進(jìn)。

簡介：抗美援朝時(shí)期的某高地，激烈的戰(zhàn)爭正在進(jìn)行，剛出院的中方志愿軍戰(zhàn)士王成（劉世龍 飾）一回到部隊(duì)就要求投入到戰(zhàn)斗中去，并拿出父親王復(fù)標(biāo)（周文彬 飾）鼓勵(lì)他為國立功的家書給張團(tuán)長（郭振清 飾）和政委王文清（田方 飾）看，王復(fù)標(biāo)是王文清的老戰(zhàn)友，他也知道王成是王復(fù)標(biāo)的兒子。王成在戰(zhàn)斗中壯烈犧牲，全團(tuán)展開向他學(xué)習(xí)的行動(dòng)，文藝兵、王成的妹妹王芳（劉尚嫻 飾）強(qiáng)忍悲痛投入到創(chuàng)作中。和王芳的接觸中，王文清雖認(rèn)出她是自己十八年前無奈丟下、后被王復(fù)標(biāo)收養(yǎng)的女兒，卻沒有和她相認(rèn)，而是鼓勵(lì)她以實(shí)際行動(dòng)向哥哥學(xué)習(xí)，王芳也在后來的戰(zhàn)斗中有英勇表現(xiàn)。