簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡(jiǎn)介：The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive Katharmoi (Purifications) and Peri Phuse?s (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.　　The German writer Friedrich H?lderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, H?lderlin’s English-language translator,　　the main reason why H?lderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.　　Huillet-Straub’s The Death of Empedocles is based on H?lderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.

簡(jiǎn)介：A young boy begins to experience the adult world as he enters adolescence.

簡(jiǎn)介：

時(shí)值第一次世界大戰(zhàn)的尾聲，一群飽受驚嚇的隧道兵必須帶領(lǐng)一隊(duì)協(xié)約軍，深入戰(zhàn)壕一百呎以下的德軍秘密基地。不料德軍具有高度傳染性的生化武器卻早已失控，被傳染的受害者都會(huì)成為喪心病狂的殺人魔，協(xié)約軍這才發(fā)現(xiàn)自己被困在瘟病肆虐的人間煉獄，還必須面對(duì)受命收拾殘局卻不幸染病發(fā)狂的德國(guó)衝鋒兵。這群歷經(jīng)風(fēng)霜的士兵萬萬沒想到，唯一比西方戰(zhàn)線更加駭人的事物，居然就隱身在戰(zhàn)場(chǎng)壕溝的地底深處。

簡(jiǎn)介：

簡(jiǎn)介：

當(dāng)全球大流行迫使一名電視女演員逃離她的農(nóng)村故鄉(xiāng)時(shí)，入侵她的過去被證明像入侵病毒一樣危險(xiǎn)。

簡(jiǎn)介：

肥仔（曾志偉 飾）是香港專門負(fù)責(zé)銷毀舊鈔的公司的一名普通員工，一日他發(fā)現(xiàn)機(jī)器在銷毀舊鈔時(shí)突然當(dāng)機(jī)了一下，隨即恢復(fù)運(yùn)轉(zhuǎn)。就是這一剎那，有三千萬本該已經(jīng)銷毀的舊鈔幸存了下來。發(fā)現(xiàn)了這個(gè)天大的秘密的肥仔欣喜若狂，決定聯(lián)合一般狐朋狗友將這橫財(cái)三千萬據(jù)為己有。正當(dāng)他們與光頭秦（麥嘉 飾）相討大計(jì)時(shí)，他們的計(jì)劃被一名小修女（林青霞 飾）無意中聽到了。小修女懷著拯救眾生的夢(mèng)想，決心阻止他們的計(jì)劃，挽救他們。于是，一輪輪精彩搞笑的斗智行動(dòng)開始了。

簡(jiǎn)介：

一位作家、一位女演員、一位音樂家，以及一個(gè)廚房柜臺(tái)，在一個(gè)血腥的夜晚碰撞在一起。藝術(shù)、欺騙和背叛玷污了一位老母親的地毯。這是一個(gè)“無愛”時(shí)代的故事。

簡(jiǎn)介：

玩具設(shè)計(jì)師苗和陳誤撞強(qiáng)盜搶劫銀行，苗因而得知自己有特異功能，能夠進(jìn)入別人的夢(mèng)中，陳卻因此成為癡呆。苗進(jìn)入陳的夢(mèng)中，發(fā)現(xiàn)至陳重傷的是警官周潤(rùn)發(fā)。最終，苗依靠特異功能殺了周，為陳報(bào)了仇。

簡(jiǎn)介：The historical rearguard last stand that took place on 13 July 1660 at a mountain pass in the vicinity of fort Vishalgad, near the city of Kolhapur, Maharashtra, India between the Maratha Warrior Baji Prabhu Deshpande and Siddi Masud of Adilshah Sultanate, known as Battle of Pavan Khind.

簡(jiǎn)介：飽受戰(zhàn)爭(zhēng)創(chuàng)傷的雇傭賞金獵人柯林斯，被迫前往倫敦，追捕一名被指認(rèn)變節(jié)的中情局特工，并欲破獲糾纏其間的俄羅斯核彈頭與金錢交易案件

簡(jiǎn)介：一年前，劣跡斑斑的jcCallahan(Dorff)警探在一次出了岔子的毒品搜捕行動(dòng)中被槍擊中，然而幸運(yùn)的是Callahan (Dorff)被一個(gè)陌生人所救，從而callahan 有了第二次機(jī)會(huì)去彌補(bǔ)自己以前所犯的錯(cuò)，但是上天弄人，這個(gè)陌生人竟然出來尋求復(fù)仇，他引發(fā)了一系列對(duì)一個(gè)tynl的在當(dāng)?shù)氐囊粋€(gè)tyw俱樂部攻擊，callahan努力的去尋找襲擊者去彌補(bǔ)自己過去犯的錯(cuò)。他不顧一切的，最后找到了這個(gè)攻擊者，將其繩之以法，走上了懲治暴力的正道。歷經(jīng)種種，他還能當(dāng)好jc和追蹤攻擊者，同時(shí)仍然保持他的聲譽(yù)干凈嗎？