簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾蕚淞艘粓龈泄俚臉O致盛宴。每一次心跳，都是對寂寞長夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

簡介：This experimental work begins with director's rehearsing his new film Ecstasy Garden. The film crosses back and forth the border between reality and fantasy while lovers, mother and daughter come andgo to the river. Mekong Hotel shot during the flood, intertwines the destruction, politics and drifting dream of future.

簡介：Mario (Dani Rovira) and Olivia (Michelle Jenner) fall madly in love. One afternoon, considering that every relationship ends, they end up breaking up. During the big fight, Miamor, the street cat adopted by both and who only attends if they call him Miamor and speak to him in Valencian, escapes and disappears, like the love that united them. For a time Olivia will give him for dead, love and the cat, while Mario keeps him alive in secret. Like Schrodingüer's cat, the love between the two remains alive and dead at the same time until, one day when she seems to have finally risen, Olivia feels victimized by a deception and decides to declare to Mario the war, one in the that, as in the love that still breathes, everything can be worth.資料引用自httpswww.zhuijukan.comxijuwoshiqudeai

簡介：Every year, 310 killings in France go unsolved, leaving the victims' crushed families in a state of endless grief. The French judicial system is implacable there's no money to continue investigating cases that lead nowhere. Hunting down murderers to help bereaved families get justice is more than just a job, it's a duty for Thomas Bareski, a retired, hotshot police detective. A wandering, footloose, nature-loving soul who lives out of his van, Thomas Bareski isn't just a one-of-kind man, he's also an extraordinary police officer who's ready to upend his way of life to fulfill his mission.

簡介：Captures three occurrences in a young girl's life that leave her with a heavy heart.

簡介：九十後女導(dǎo)演李在恩、林智善共同執(zhí)導(dǎo)，一個喜歡李滄東，另一個卻喜歡園子溫。差天共地的電影口味，竟碰撞出如《寒假》般的暑假女生版，跳脫慵懶，活潑厭世，清新搞笑，非常亮眼。三個小鎮(zhèn)高中詩友，畢業(yè)後各奔前程，一個去了美國，一個去了首爾，各自追尋詩以外的桃源，留下一個在家鄉(xiāng)，每星期仍堅持視像詩聚，只可惜鏡頭的對面，久未見朋友露面。由十九踏入二十，短短一年卻是人生的分岔口。電影點出階級和城市無形的落差，人與人之間微妙的相遇和相處，總是遊走在隱藏與坦白之間，友情的分岔路上又會是一張怎樣的成績「婊」？

簡介：由足球傳奇巨星-埃里克坎通納領(lǐng)銜主演的法國偵探影集。一位熱愛大自然的退休警察，以一輛廂型車為家，他的畢生使命是破解發(fā)生在法國的310起殺人懸案。Marion在八歲生日那天被綁架，29年後，法官因一封兇嫌公開的悔過信指派Bareski重啟調(diào)查，而當初這起案件就是由法官的已逝父親負責(zé)辦理。

簡介：此版《源氏物語 千年之謎》由鶴橋康夫執(zhí)導(dǎo)，不僅使用CG，還加入動作場面和科幻效果，制作費用高達十億多日元(折合人民幣7千8百多萬)，于2011年12月10日在日本全國公映?！　∮捌言髡咦鲜讲?中谷美紀 飾)身處的平安時期與光源氏（生田斗真 飾）所在天下相交錯，兩條線 索并行。一個空間中紫式部受藤原道長（東山紀之 飾）任命開始創(chuàng)作《源氏物語》，并與藤原道長發(fā)生了愛情牽絆。另一個空間是紫式部創(chuàng)作出的光源氏與藤壺女御（真木陽子 飾）、六條御息所（田中麗奈 飾）、夕顏（蘆名星 飾）等眾多女性的愛情糾葛。在關(guān)閉的創(chuàng)作進程中，紫式部現(xiàn)出了靈魂出竅的狀態(tài)，與筆下對光源氏陷入苦戀而化為生靈的六條御息所的靈魂重疊。陰陽師安倍晴明（洼冢洋介 飾）發(fā)現(xiàn)了這個情況，開始追蹤生靈……

簡介：Facing her first Christmas as a single mother, Julie develops an unexpected friendship with an older neighbor.

簡介：由足球傳奇巨星-埃里克坎通納領(lǐng)銜主演的法國偵探影集。一位熱愛大自然的退休警察，以一輛廂型車為家，他的畢生使命是破解發(fā)生在法國的310起殺人懸案。Bareski來到一座位於法國孚日的村莊，調(diào)查一起年輕女子的失蹤案件。這起案件讓他回想起六年前Scal家族的殘忍兇殺案，鎮(zhèn)上居民無不紛紛搬遷，至今真相還懸而未解。

簡介：Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask Have you changed

簡介：In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by Franti?ek Vláil, based on a novel by Alfréd Technik, adapted by Franti?ek A. Dvorák and Milo? Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Li?ka (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.