簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)簟Ｌ剿魑粗?，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：　　怪盜基德的預(yù)告信出現(xiàn)在了北海道函館，斧江財(cái)閥的收藏庫(kù)中。這次基德將要盜走的是，江戸幕府時(shí)期新選組副長(zhǎng)土方歲三的日本刀。向來(lái)追逐奢華寶石的怪盜基德，居然會(huì)看上刀？
　　此時(shí)，被稱(chēng)作西部名偵探的服部平次和柯南一行人，也因?yàn)閯Φ来髸?huì)來(lái)到了函館，在基德執(zhí)行預(yù)告的當(dāng)日，平次看穿了基德的偽裝并對(duì)其窮追不舍！
　　同一時(shí)間，一具尸體在函館倉(cāng)庫(kù)街被發(fā)現(xiàn)，尸體的胸口有一個(gè)十字傷口。搜查中，出現(xiàn)了一位被叫做“死之商人”的活躍于亞洲一帶的美籍日裔軍火商。這個(gè)人一直在尋找斧江家初代家主藏在函館的寶藏。斧江家江戸幕府戰(zhàn)爭(zhēng)時(shí)代深耕軍需產(chǎn)業(yè)，傳說(shuō)那寶藏是能扭轉(zhuǎn)幕末紛爭(zhēng)的強(qiáng)力武器，而這寶藏似乎和基德追逐欲盜取的刀有著千絲萬(wàn)縷的聯(lián)系。在基德瞄準(zhǔn)刀的同時(shí)，有一位劍士也在向基德逼近……

簡(jiǎn)介：阿芝（李彩華 飾）是一名電視整蠱節(jié)目主持人，某日，她喬裝打扮來(lái)到富貴商場(chǎng)進(jìn)行整蠱計(jì)劃，哪想到真實(shí)身份意外曝光，引發(fā)了一場(chǎng)混戰(zhàn)，并因此與曾經(jīng)的高中同學(xué)杰克（李璨琛 飾）重逢了。原來(lái)，阿芝從事這份不光彩的職業(yè)純屬為了賺錢(qián)，以此一圓她出國(guó)讀書(shū)的夢(mèng)想，在杰克等人的建議下，阿芝決定在商場(chǎng)中開(kāi)店。　　想要開(kāi)店，必須先征得趙富豪（夏春秋 飾）的同意，趙富豪早年喪妻，兒子趙新貴（黃浩然 飾）又在外國(guó)念書(shū)，孤身一人的他倍感孤獨(dú)。趙富豪喜歡打臺(tái)灣麻將，找到了突破口的阿芝苦練麻將技術(shù)，并最終成為了趙富豪的“最佳牌友”。就在事成之際，趙新貴卻殺了出來(lái)，在他眼中，阿芝等人不過(guò)就是趨炎附勢(shì)的騙子，他要將他們統(tǒng)統(tǒng)趕出商場(chǎng)。

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《閣樓里的雷杰》是根據(jù) A.F. Harold 的小說(shuō)《Before I Gone》改編的奇幻作品，艾米麗·格拉維特 (Emily Gravett) 負(fù)責(zé)插畫(huà)。故事講述了一個(gè)失去愛(ài)情的女孩和她創(chuàng)造的“男孩”拉賈（Rajah）在想象和現(xiàn)實(shí)的世界中穿梭的故事。

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　　由譚朗昌導(dǎo)演， 《一千靈異夜》不是迷信傳說(shuō)，而是一系列希區(qū)柯克式驚栗迷離懸疑單元?jiǎng)。ā堆洹?、《兇穴》、《兇宅》、《血追憶》、《死連環(huán)》、《厲鬼焚情》、《貼身噩夢(mèng)》、《鬼拳師》、《迷宮殺手》、《護(hù)花使者》、《靈魂實(shí)驗(yàn)》、《孽債危情》、《轉(zhuǎn)世邪靈》、《孽緣十日》、《血的疑惑》。

簡(jiǎn)介：在蘭若寺亂葬崗?fù)?，女鬼聶小煙與女鬼海棠同為樹(shù)妖空城的手下，兩人一起為空城服務(wù)，抗擊捉妖師燕南天，并日久生情，約定要互相守護(hù)對(duì)方，不料聶小煙在偶遇書(shū)生傅青竹后，這一切都發(fā)生了改變，一場(chǎng)三角戀生死之爭(zhēng)愈演愈烈。

簡(jiǎn)介：小提琴手林寬到國(guó)外后，想得到一位老婦的遺產(chǎn)，制造了車(chē)禍身亡的謊言，又潛回國(guó)內(nèi)謀殺他癡情的妻子丁珊。老婦的兒子肖桐為揭穿這場(chǎng)騙局和制止這起謀殺也來(lái)到國(guó)內(nèi)，他與林寬展開(kāi)了一場(chǎng)你死我活的尖銳的斗爭(zhēng)。　　中文名癡情女子　　導(dǎo) ? ?演劉國(guó)權(quán)　　編 ? ?劇李寶林　　類(lèi) ? ?型劇情片　　【基本信息】　　電影名：癡情女子　　主 演：周里京 孫松 辛穎 瞿穎 韓影　　上 映：1992年　　地 區(qū)：中國(guó)大陸

簡(jiǎn)介：趙勝天與李小蘭兩人偶然相遇，但兩人在接觸不久便閃電般的結(jié)合在一起，不久，李小蘭懷孕，兩家父母草率地為他們舉行了婚禮。孩子出世后，勝天與小蘭陷入了一片忙亂之中，小蘭的心情極為煩躁，趙也覺(jué)得婚姻使他失去了男子漢的瀟灑，兩人為了一點(diǎn)小事大吵一架之后，小蘭回到了娘家。勝天因?yàn)闋可娴脚灿霉畹氖卤蛔ミM(jìn)了監(jiān)獄，小蘭得到消息趕回家，發(fā)現(xiàn)了勝天寫(xiě)給他的許多信，備受感動(dòng)。勝天出獄后，兩人重歸于好。

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《編劇情緣》講述了一個(gè)拿過(guò)奧斯卡獎(jiǎng)的編劇遭遇創(chuàng)作瓶頸，他不得不離開(kāi)荷里活去東海岸教授編劇寫(xiě)作課程。事業(yè)的低谷讓他感到迷失，也導(dǎo)致他做出了一些不堪的事。直到他迷上了一名單親媽媽學(xué)生，他的人生才發(fā)生了變化。

簡(jiǎn)介：Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.