簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡(jiǎn)介：查爾斯?布朗森（湯姆?哈迪 Tom Hardy 飾）出身于上層社會(huì)家庭，從小就具有不可自抑的暴力傾向，布朗森沒(méi)能像其他人一樣完成學(xué)業(yè)和工作，在1974年結(jié)婚后，布朗森因?yàn)閿y槍搶劫郵局而被判入獄七年，至此，布朗森拋棄了自己的本名邁克爾，成為了臭名昭著的英國(guó)監(jiān)獄惡徒。富有表現(xiàn)欲望的布朗森用暴力作為自己成名的途徑，在獄中不屈服于任何管教，同時(shí)也得到了犯人們的欽佩和媒體的關(guān)注，布朗森自詡為“英國(guó)最殘暴的犯人”，他的監(jiān)獄生涯就是不斷的單人禁閉、不斷的更換監(jiān)獄……布朗森出獄后投身地下拳擊界，但不久又再次入獄，監(jiān)獄暴徒布朗森的故事還在繼續(xù)……　　本片根據(jù)真實(shí)故事改編。

簡(jiǎn)介：《苗山花》以解放前貴州麻山地區(qū)“熊氏三兄妹”中的苗族姑娘熊三妹為人物原型，故事發(fā)生在上世紀(jì)30年代末期，羅甸，望謨，紫云三縣交界地區(qū)的麻山農(nóng)民自衛(wèi)團(tuán)與國(guó)民黨地方勢(shì)力展開艱苦卓絕的的斗爭(zhēng)。各族同胞自發(fā)加入反抗國(guó)民黨暴政的革命事業(yè)中，歌頌了中國(guó)共產(chǎn)黨引導(dǎo)少數(shù)民族同胞翻身救解放的偉大壯舉。

簡(jiǎn)介：一家銀行遭遇搶劫，所有的證據(jù)都指向銀行的老板和其客戶，但隨著FBI探員的深入調(diào)查，他們發(fā)現(xiàn)搶劫的背后有著更大的陰謀……

簡(jiǎn)介：出品單位 杭州今古時(shí)代電影制作有限公司　　本片講述了森林里的小伙伴們?yōu)樽约翰粣?ài)護(hù)家園而遭到了嚴(yán)懲，哆咪帶著小伙伴開始植樹造林，建設(shè)家園的故事。

簡(jiǎn)介：　　年近三十的詹姆斯（本尼迪克特·康伯巴奇 Benedict Cumberbatch 飾）發(fā)現(xiàn)自己患上了癌癥，在巨大的打擊之下，他開始思考起了生命的意義。在他的回憶里，位于威爾士西部的巴拉方德灣是一個(gè)充滿了回憶的地方，站在人生的十字路口上，他決定故地重游，重溫美好的過(guò)往。
　　就這樣，詹姆斯和三個(gè)好友踏上了前往巴拉方德灣的旅程，他們分別是邁爾斯（JJ·菲爾德 JJ Feild 飾），戴維（湯姆·伯克 Tom Burke 飾）和比爾（Adam Robertson 飾）。作為詹姆斯的好友，邁爾斯一行人有義務(wù)陪伴詹姆斯度過(guò)人生中最艱難的時(shí)刻，然而，這趟略帶傷感的旅程對(duì)于他們來(lái)說(shuō)有著更加重要的意義。一路上，麻煩接踵而至，四人之間的友情不斷的遭受著考驗(yàn)，但他們都明白，人生就如同一場(chǎng)旅行，只要不斷向前，就總有達(dá)到目的地的那一天。

簡(jiǎn)介：Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

簡(jiǎn)介：

　　1950年代，我人民解放軍海軍某魚雷快艇中隊(duì)長(zhǎng)張敏（王心剛 飾）及戰(zhàn)友李雄（張勇手 飾）帶領(lǐng)“九九”號(hào)快艇全體戰(zhàn)斗員到遠(yuǎn)離大陸的島礁“鬼嶼”設(shè)伏。因?yàn)榇饲皣?guó)民黨艦隊(duì)依仗自己噸位大、火力猛，經(jīng)常騷擾我東南沿海。敵李艦長(zhǎng)（劉江 飾）常以此為傲。但我海軍上校（里坡 飾）和沿海軍民決心以弱勝?gòu)?qiáng)，教訓(xùn)狂妄的敵海軍。幾天后，敵艦又來(lái)滋擾生事，我快艇中隊(duì)出奇不意出現(xiàn)在“鬼嶼”地帶，敵人猝不及防趕緊撤退。但在后續(xù)的海戰(zhàn)中，“九九”號(hào)不幸被敵炮火擊中，戰(zhàn)士們含淚與快艇告別。張敏和劉濤（王毅 飾）受傷，大家忍著傷痛和饑餓，終于飄流到一個(gè)小礁上，與同時(shí)逃到小礁上的敵軍潰兵展開了激烈的戰(zhàn)斗，最終全殲了敵人。戰(zhàn)士們劃著繳獲的小舢板，向祖國(guó)的方向駛?cè)?.....

簡(jiǎn)介：講述一個(gè)一毛不拔的小提琴家被一個(gè)愛(ài)慕者和突然找上門來(lái)的女兒一起改造的故事。

簡(jiǎn)介：

海倫及男友詹某次在采訪南美某國(guó)家示威暴力時(shí)，不幸遇軍警攔截而遭受刑求，詹被殺身亡而海倫幸存。海倫在鉅變后一直不愿面對(duì)傷痛。某日她專訪著名心理復(fù)建中心主持人安娜，并受邀接受治療。在療養(yǎng)院中海倫巧遇自稱受難者的雷米爾教授，兩人建立了深厚感情，慢慢走出被強(qiáng)暴的陰影，直到雷米爾的真實(shí)身份揭曉……

簡(jiǎn)介：本片為程剛導(dǎo)演、辛漢白編劇，可謂早期的「監(jiān)獄風(fēng)云」。故事描述，香港在1953至1955年，曾被警方稱為最黑暗的時(shí)期，那時(shí)候罪惡泛濫，百弊叢生，一日可發(fā)生三十二宗驚人案件，而犯罪份子有百分之四十是積犯；英廷特派專員來(lái)港調(diào)查監(jiān)獄的措施，發(fā)現(xiàn)獄中不良份子，濫用權(quán)力，公報(bào)私仇，歪曲政府的監(jiān)獄制度，造成犯人越變?cè)胶?，監(jiān)獄變成地獄。影片主角江才（劉永）因不甘受探長(zhǎng)侮辱，結(jié)果被控妨礙公務(wù)，判刑一年零八個(gè)月……

簡(jiǎn)介：　　一個(gè)直播女主播的自殺，卻意外與自己的宅男粉絲靈魂互換。得到偶像的身體正沾沾自喜，想要任意發(fā)揮之際，卻發(fā)現(xiàn)自殺背后似乎還隱藏著更大的秘密。突如其來(lái)的殺手追殺，究竟是劫財(cái)劫色還是另有所圖？一場(chǎng)混戰(zhàn)之后網(wǎng)紅女容貌被毀，卻在臉皮之下發(fā)現(xiàn)神秘藥水，奇怪宅男黑客現(xiàn)身幫忙。整形醫(yī)生男友深夜造訪，只為搶奪藥水。糾葛之時(shí)，一場(chǎng)車禍，四人再次靈魂交換，令整件事情越發(fā)復(fù)雜……