簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：《苗山花》以解放前貴州麻山地區(qū)“熊氏三兄妹”中的苗族姑娘熊三妹為人物原型，故事發(fā)生在上世紀(jì)30年代末期，羅甸，望謨，紫云三縣交界地區(qū)的麻山農(nóng)民自衛(wèi)團(tuán)與國(guó)民黨地方勢(shì)力展開(kāi)艱苦卓絕的的斗爭(zhēng)。各族同胞自發(fā)加入反抗國(guó)民黨暴政的革命事業(yè)中，歌頌了中國(guó)共產(chǎn)黨引導(dǎo)少數(shù)民族同胞翻身救解放的偉大壯舉。

簡(jiǎn)介：一家銀行遭遇搶劫，所有的證據(jù)都指向銀行的老板和其客戶(hù)，但隨著FBI探員的深入調(diào)查，他們發(fā)現(xiàn)搶劫的背后有著更大的陰謀……

簡(jiǎn)介：

哪里都有江湖，現(xiàn)代都市里面隱藏著一些傳承大幫派，丐幫就是其中之一。然而5年前幫主神秘失蹤，令丐幫的八長(zhǎng)老李霸叛出丐幫，軟禁了唯一知道幫主線(xiàn)索的幫主女兒若夢(mèng)，在各大地區(qū)立起了分堂，制造假藥，大長(zhǎng)老莫?jiǎng)艅裾f(shuō)李霸重回丐幫不要再做傷天害理之事未果，和李霸打成兩敗俱傷，莫?jiǎng)攀秦偷捻斄褐?，他受傷的消息被李霸故意放到江湖上，江湖上其他的古老幫派也開(kāi)始蠢蠢欲動(dòng)，丐幫面臨幫主失蹤后的最大危機(jī)......

簡(jiǎn)介：當(dāng)兩個(gè)女性朋友決定試著把手放進(jìn)儲(chǔ)藏柜拍賣(mài)時(shí)，他們?cè)诓恢挥X(jué)中繼承了一個(gè)屬于一個(gè)危險(xiǎn)的連環(huán)殺手的更衣柜。他們很快發(fā)現(xiàn)自己在一個(gè)絕望的種族，以揭露真相的更衣室之前，殺手跟蹤他們。

簡(jiǎn)介：Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

簡(jiǎn)介：講述一個(gè)一毛不拔的小提琴家被一個(gè)愛(ài)慕者和突然找上門(mén)來(lái)的女兒一起改造的故事。

簡(jiǎn)介：本片為程剛導(dǎo)演、辛漢白編劇，可謂早期的「監(jiān)獄風(fēng)云」。故事描述，香港在1953至1955年，曾被警方稱(chēng)為最黑暗的時(shí)期，那時(shí)候罪惡泛濫，百弊叢生，一日可發(fā)生三十二宗驚人案件，而犯罪份子有百分之四十是積犯；英廷特派專(zhuān)員來(lái)港調(diào)查監(jiān)獄的措施，發(fā)現(xiàn)獄中不良份子，濫用權(quán)力，公報(bào)私仇，歪曲政府的監(jiān)獄制度，造成犯人越變?cè)胶冢O(jiān)獄變成地獄。影片主角江才（劉永）因不甘受探長(zhǎng)侮辱，結(jié)果被控妨礙公務(wù)，判刑一年零八個(gè)月……

簡(jiǎn)介：

海倫及男友詹某次在采訪(fǎng)南美某國(guó)家示威暴力時(shí)，不幸遇軍警攔截而遭受刑求，詹被殺身亡而海倫幸存。海倫在鉅變后一直不愿面對(duì)傷痛。某日她專(zhuān)訪(fǎng)著名心理復(fù)建中心主持人安娜，并受邀接受治療。在療養(yǎng)院中海倫巧遇自稱(chēng)受難者的雷米爾教授，兩人建立了深厚感情，慢慢走出被強(qiáng)暴的陰影，直到雷米爾的真實(shí)身份揭曉……

簡(jiǎn)介：

三十多歲的保險(xiǎn)評(píng)估員何偉(徐崢飾)干凈斯文、氣質(zhì)儒雅，妻子肖風(fēng)(陶虹)剛剛懷孕，生活平靜而從容。

簡(jiǎn)介：

佐佐木家的小兒子健二（井之肋海飾）偷偷練習(xí)鋼琴。爸爸龍平（香川照之飾）是一個(gè)普通的上班族。媽媽惠（小泉今日子飾）則是家庭主婦。哥哥貴（小柳友飾）是個(gè)忙著打工的大學(xué)生。這是一個(gè)乍看非常普通的日本家庭，但其實(shí)每個(gè)人都藏有不希望被別人知道的秘密。直到某天健二回到空無(wú)一人的家里，一切開(kāi)始漫漫浮出水面……                                    
                               本片以東京一個(gè)四口之家為縮影，深細(xì)展現(xiàn)其內(nèi)部風(fēng)波，勾畫(huà)各成員之掙扎軌跡，由此統(tǒng)攝東京乃至日本無(wú)數(shù)人群在世界經(jīng)濟(jì)格局轉(zhuǎn)換、金融危機(jī)、中東戰(zhàn)爭(zhēng)等動(dòng)蕩局勢(shì)下的生存境遇。                                    
                               本片入選二零零八年《電影旬報(bào)》日本電影十大佳片。在戛納電影節(jié)上榮獲“一種關(guān)注”單元的評(píng)委會(huì)獎(jiǎng)。獲得第三屆亞洲電影大獎(jiǎng)(Asian Film Awards，簡(jiǎn)稱(chēng)AFA)最佳編劇和最佳電影兩個(gè)獎(jiǎng)項(xiàng)。

簡(jiǎn)介：誠(chéng)信，就是馬英這輩子認(rèn)準(zhǔn)的道理。她拿自己的一生來(lái)為誠(chéng)信二字添加上屬于自己的色彩。大愛(ài)，就是《嫂娘》所弘揚(yáng)的主旋律。她用一系列普通人的愛(ài)、恨、情、愁來(lái)譜寫(xiě)真愛(ài)之歌。