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0
6.5

費(fèi)比斯博士歸來(lái)

導(dǎo)演:
羅伯特·富斯特
主演:
文森特·普萊斯,羅伯特·夸里
別名:
未知
6.5
0人評(píng)分
英語(yǔ)
語(yǔ)言
1972
上映時(shí)間
未知
片長(zhǎng)
簡(jiǎn)介:

  The moon rises at a predestined angle and awakens the sleeping Dr. Phibes in 1928, three years after the events of the previous movie. To his dismay, he finds that his house has been demolished and his papyrus scrolls stolen, the scrolls he needs to find the Pharaoh's Tomb in Egypt, where the River of Life flows. After identifying the source of the papyrus theft, he packs and leaves for Egypt with his assistant Vulnavia - whose face displays no effects from the acid shower she received at the end of the previous film (although the character is now played by a different actress, Valli Kemp). His primary goal is the awakening of his dead wife, Victoria.
  The thieves of Phibes' scrolls suffer an attrition problem as Inspectors Trout and Waverly chase Phibes across the world. The party is led by Beiderbeck (Robert Quarry, best known for playing Count Yorga). Although he looks young, he is several hundred years old and wants to find the River of Life in order to stay alive and be with his lover Diana (Fiona Lewis) forever. This time Phibes' murders all have an Egyptian theme to them; for example, one character is sand-blasted to death. Other deaths include someone being stung to death by scorpions, being eaten by an eagle (in the original script impaled by a gold eagle in the same way a doctor in The Abominable Dr. Phibes was impaled by a golden unicorn), and a golden snake piercing someone's skull.
  At the climax, Beiderbeck sacrifices his life in order to save Diana. The film ends with Phibes riding a raft down the River of Life with Victoria, while singing "Over the Rainbow" (which is strange, as this film is set in 1928 but "Over The Rainbow" wasn't written until 1938). It is left ambiguous whether Victoria is resurrected or not, although a picture inside the DVD shows her in the raft with her eyes open and smiling at the camera

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波提切利,佛羅倫薩和美第奇家族
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0.0
完結(jié)
波提切利,佛羅倫薩和美第奇家族
0.0
更新時(shí)間:10月31日
主演:史蒂芬·曼甘,杰絲敏·特麗卡
簡(jiǎn)介:在美第奇家族“偉大的洛倫佐”洛倫佐·德·美第奇(Lorenzo de' Medici)勢(shì)力影響下的佛羅倫薩,是意大利文藝復(fù)興的重鎮(zhèn),這也是該城市歷史上最為輝煌的時(shí)期之一。由于洛倫佐本人對(duì)藝術(shù)的熱愛(ài)和支持,文化影響力滲透到社會(huì)政治、經(jīng)濟(jì)領(lǐng)域,也布滿了佛羅倫薩的大街小巷:藝術(shù)家們?cè)趯m廷、教堂和貴族私宅中留下諸多令人驚嘆的藝術(shù)創(chuàng)作;然而在繁榮的另一面,當(dāng)?shù)亟虝?huì)與羅馬教廷的角力、銀行家與商賈大家族的爭(zhēng)端、以及國(guó)家地區(qū)間的同盟選擇,均伴生著復(fù)雜的權(quán)謀和殘酷的暴力。這個(gè)時(shí)期有一位藝術(shù)家的經(jīng)歷和作品,比其他任何人都更能投射出一個(gè)非凡時(shí)代的風(fēng)起云涌,他就是桑德羅·波提切利(Sandro Botticelli,本名Alessandro Filipepi)。   波提切利在美第奇家族掌權(quán)期間,受到政治、經(jīng)濟(jì)和文化地位上庇佑,他那些富于宗教人文主義思想、世俗精神的創(chuàng)作應(yīng)運(yùn)而生,創(chuàng)作題材與視野也非常廣泛,兩幅美第奇家族的委約作品《春》和《維納斯的誕生》是最能代表他繪畫風(fēng)格的杰作。然而隨著洛倫佐的去世,佛羅倫薩發(fā)生政治巨變,美第奇家族被倡導(dǎo)宗教極端主義的薩伏那洛拉取代。贊助人發(fā)生了變化,波提切利親手把屬于上一個(gè)時(shí)代的藝術(shù)品在臭名昭著的“虛榮的篝火”(Girolamo Savonarola)中付之一炬,在此后的畫作中,曲線和柔軟形狀讓位給破碎的線條和激烈的色彩對(duì)比(如《神秘的誕生》《哀悼死去的基督》)。后半生他聲名下滑,死后300年寂寂無(wú)聞,直至19世紀(jì)被羅斯金和拉斐爾前派重新發(fā)現(xiàn)。   紀(jì)錄片將在特邀解說(shuō)斯蒂芬·曼根(Stephen Mangan)的帶領(lǐng)下,重回美第奇的佛羅倫薩,我們可以通過(guò)波提切利的眼睛觀察它、理解它,而對(duì)波提切利的狂熱則一直持續(xù)到今天,遍及繪畫、攝影、設(shè)計(jì)等各個(gè)領(lǐng)域,從安迪·沃霍爾(Andy Warhol)到杰夫·昆斯(Jeff Koons)和Lady Gaga,我們都可以找到他的影響,舊日畫作中的圖形和線條通過(guò)解讀和再創(chuàng)造,成了今天的文化和時(shí)尚符號(hào),進(jìn)入新的集體想象。
0
2022
波提切利,佛羅倫薩和美第奇家族
主演:史蒂芬·曼甘,杰絲敏·特麗卡
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