簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：

卓別林為“第一國(guó)家影片公司"拍攝的首部電影，片長(zhǎng)三卷。卓別林在本片中把流浪漢的生活與狗的生活有趣地構(gòu)成對(duì)比，他與它都同樣要掙扎求存，并且忍受社會(huì)各階層將他們踢來(lái)踢去。卓別林從本片開(kāi)始思考到喜劇的結(jié)構(gòu)問(wèn)題，每一個(gè)段落均互相關(guān)連而構(gòu)成一個(gè)整體。由于結(jié)構(gòu)完整，使這部在內(nèi)容上仍然是表現(xiàn)流浪流夏爾洛在貧民窯和酒店被警察追得東奔西跑的喜劇顯得笑中有淚。

簡(jiǎn)介：該片講述一群擁有超凡智慧與膽量的現(xiàn)代羅賓漢，運(yùn)用魔術(shù)才華，與舞臺(tái)之上劫富濟(jì)貧，完成了一系列不可能的任務(wù)后又迎來(lái)一次危險(xiǎn)的搶劫任務(wù)的故事。

簡(jiǎn)介：

　　查理（查爾斯·勞頓 Charles Laughton 飾）是靠著在街頭賣(mài)藝維生的小混混，一天，一個(gè)名叫利比（費(fèi)雯·麗 Vivien Leigh 飾）企圖搶走查理的賣(mài)藝所得，結(jié)果被后者抓住，兩人不打不相識(shí)，查理可憐無(wú)家可歸流落街頭的利比，于是答應(yīng)帶著利比一起表演。
　　聰明的利比有用極高的表演天賦，她的杰出被名叫潘斯特（雷克斯·哈里森 Rex Harrison 飾）的劇院經(jīng)理看在眼里。潘斯特邀請(qǐng)利比去劇院演出，利比想帶上查理，但被他拒絕了，兩人就此分道揚(yáng)鑣。一晃眼多年過(guò)去，利比成為了炙手可熱的大明星，而查理已久只是在街頭流浪的乞丐，這樣地位懸殊的兩人再度相遇了。

簡(jiǎn)介：北漂族張洋，因不滿(mǎn)整天被領(lǐng)導(dǎo)罵，憤然辭職，決定與學(xué)長(zhǎng)大崔創(chuàng)業(yè)，兩人變賣(mài)了最后的家當(dāng)，打造一款相親APP。APP做好后，兩人極盡可能挨家挨戶(hù)的推廣宣傳，而一個(gè)月后，仍然一無(wú)所獲，挫敗的大崔和張洋發(fā)生爭(zhēng)執(zhí)，分道揚(yáng)鑣。倍感失落的張洋決定放棄，就在這時(shí)APP迎來(lái)了第一位有需求的會(huì)員張西西，項(xiàng)目經(jīng)理，容貌未知，氣質(zhì)上乘。張洋為了留住會(huì)員，決定親自赴約相親，伴隨著約會(huì)時(shí)間的臨近，一場(chǎng)0元投資，1000000 收益的愛(ài)情游戲悄然開(kāi)啟。

簡(jiǎn)介：公元2021年，資料除了透過(guò)電腦輸送外，還可利用人腦運(yùn)輸。專(zhuān)業(yè)運(yùn)輸員尊尼為了運(yùn)送更多資料，不惜洗去自己的記憶。一次任務(wù)中，尊尼被客戶(hù)輸入過(guò)量資料，若他不在二十小時(shí)內(nèi)找到輸出密碼，他便會(huì)倒斃。另一方面，日本集團(tuán)為了奪取他腦內(nèi)的資料，也對(duì)他展開(kāi)一場(chǎng)大追殺。

簡(jiǎn)介：昔日風(fēng)光不再的搖滾歌手高興，在人生低谷時(shí)邂逅了正值高三的少女夢(mèng)瑤，兩人因音樂(lè)結(jié)緣，高興也因此決定回歸校園復(fù)讀，重新追夢(mèng)。在朝夕相處中，兩人情愫悄然滋長(zhǎng)。然而，在前往大學(xué)報(bào)到的途中，高興突遭車(chē)禍，面容盡毀。為了不連累夢(mèng)瑤，他選擇默默隱退，獨(dú)自前往鄉(xiāng)村陶瓷廠打工謀生。夢(mèng)瑤苦尋無(wú)果，只得投身現(xiàn)實(shí)，在酒吧駐唱維持生活。四年過(guò)去，命運(yùn)兜兜轉(zhuǎn)轉(zhuǎn)，兩人在街頭意外重逢，一段埋藏多年的愛(ài)戀也隨之再度點(diǎn)燃。

簡(jiǎn)介：Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.

簡(jiǎn)介：泰國(guó)著名導(dǎo)演彭力·云旦拿域安的新作。故事來(lái)源于他某次遇上著名影星與丈夫的經(jīng)歷，從而引起他深入探視富豪日常生活的好奇心。 三十多歲的泰國(guó)電視劇女星Viyada，下嫁外籍富豪Jerome，婚姻初期生活美滿(mǎn)，然而好景不常，Jerome婚后誤入歧途，迷上尊崇「圣一」的異端教派，不能自拔。由于無(wú)法忍受丈夫任由「圣一」侵犯自己，Viyada決定狠下心腸，買(mǎi)兇殺夫，負(fù)責(zé)行刺計(jì)劃的殺手為洞悉人情世故的GuySpencer，誰(shuí)知該計(jì)劃最終泡湯，二人亦隨即招來(lái)殺身之禍。

簡(jiǎn)介：影片講述了著名奧地利作家斯蒂芬·茨威格遭納粹驅(qū)逐后在紐約、巴西等地的流亡之旅。茨威格出身富裕猶太家庭，在三十歲時(shí)就已然成為了赫赫有名的文學(xué)大師，作品遠(yuǎn)銷(xiāo)海內(nèi)外。但繼納粹上臺(tái)后，書(shū)作先后在德國(guó)、奧地利被禁，他也踏上了流亡之旅，最后客死他鄉(xiāng)。茨威格一生寫(xiě)過(guò)、同情過(guò)許多人的不幸遭遇，他的不幸遭遇自然也得到了人們的同情。

簡(jiǎn)介：

《樂(lè)高星球大戰(zhàn)：夏日假期》將于8月5日上線(xiàn)Disney+。

簡(jiǎn)介：斯奈利和達(dá)利從小就是性情迥異的死對(duì)頭，即使是長(zhǎng)大后達(dá)利變成威風(fēng)的騎警，斯奈利仍為無(wú)惡不赦的大壞蛋，在一次搶劫活動(dòng)，斯奈利占據(jù)了小鎮(zhèn)，一切都在亂無(wú)法紀(jì)的狀況下進(jìn)行，達(dá)利要如何解決這混亂的場(chǎng)面讓小鎮(zhèn)恢復(fù)平靜？