簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾蕚淞艘粓龈泄俚臉O致盛宴。每一次心跳，都是對寂寞長夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

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　　米歇爾·阿扎納維西于斯([藝術家])新片[消失的王子](The Lost Prince，暫譯)，由奧瑪·希、貝熱尼絲·貝喬主演。故事圍繞父親Djibi展開，他告訴7歲女兒索菲亞一個名為“童話世界”的奇幻電影制片廠。他本人扮演白馬王子。五年后女兒長大，而Djibi必須要去維持在女兒人生中的英雄形象。本片拍攝周期為7月30至10月5日，將在戛納電影市場上尋找國際買家。

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　　一個有抱負的女演員與她的未婚夫協(xié)議用脫衣舞娘的工作來救治她的癌癥的父親，一旦協(xié)議失效，他們的生活將永遠改變。

簡介：　　影片主要講述了心存夢想的劉小二終于開始了自己憧憬過無數(shù)遍的大學生活，五個來自天南地北不同性格，習慣和家庭背景的女孩湊到了一起，開始了有歡笑和淚水，有夢想的大學時光。性格外向的班長吳靜喜歡上了同班的壞小子肖張并展開了一系列的追求。但肖張卻發(fā)現(xiàn)自己愛上了劉小二而拒絕了吳靜的示愛，自尊心極強的吳靜由此對昔日的好閨蜜，好室友劉小二萬般排擠，帶頭孤立她。導致劉小二因為種種壓力選擇了退學....

簡介：　　《臘月》是一部反映農(nóng)村現(xiàn)實生活的半記錄式影片，主要講述了魯西南農(nóng)村在農(nóng)歷十二月份（臘月）發(fā)生的一些事情。該片取材于農(nóng)村，講述了彩禮已從原來的“習俗”漸漸演變?yōu)楫斀瘛奥暋薄８哳~彩禮下人們扭曲的價值觀、世界觀，攀比心、虛榮心等。無數(shù)家庭飽受“高額彩禮”的困擾，儼然成為一種不可忽視的社會現(xiàn)象。

簡介：　　千禧年前后，虎城動蕩不安，政府為了重振秩序，降低犯罪率，決定鏟除腐敗的地下娛樂業(yè)和洗黑錢的行徑。以四爺（張兆輝 飾）為代表的黑惡勢力及商業(yè)調查廳廳長左君哲（吳鎮(zhèn)宇 飾）暗中操控局勢，試圖趁市場開放之機渾水摸魚爭奪經(jīng)營權。以江文峰（鐘漢良 飾）為代表的警方與他們展開了一場驚心動魄的對決。

簡介：　　年輕貌美的單身母親李美華，用盡自己的積蓄開了一家婚紗店，不幸的是開業(yè)的前一天婚紗店發(fā)生火災，李美華雇傭的兩名店員葬身火海，從此，李美華踏上讓兩個失去親人的家庭寬恕自己的人生路。影片取材于臺灣著名演員高金素梅(曾出演李安的成名作《喜宴》)的真實經(jīng)歷。編劇經(jīng)過藝術加工，將故事背景移植到大陸，主題立意強調一個人應有的良知與責任。

簡介：　　位于深山小鎮(zhèn)的理發(fā)店發(fā)生的一系列靈異奇聞，殷果兒、任青安、姜星丘等人陷入危難絕境中無法脫身，和理發(fā)店有關聯(lián)的人物接連被慘絕殺害，血腥殘暴引來人心惶惶，而抽絲剝繭之后的真相更加令人心驚膽戰(zhàn)。

簡介：瑞貝卡（伊娃·格林 Eva Green 飾）回到了童年生活過的臨海小鎮(zhèn)，在那里，住著一個她無論如何也要見到的人——兒時玩伴托馬斯（馬特·史密斯 Matt Smith 飾）。曾經(jīng)的懵懂少年如今已經(jīng)成長為男人，兩人之間迅速的產(chǎn)生了奇妙的化學反應。沒過多久，一場車禍奪走了托馬斯的生命，悲痛欲絕的瑞貝卡做出了一個危險的決定——利用當代先進的基因克隆技術，復制托馬斯的基因。十個月之后，一個名叫托馬斯的嬰兒呱呱墜地，作為生下他的母親，瑞貝卡的心情十分復雜。　　在托馬斯的眼中，母親是一個即神秘又極具魅力的女人，在她驚人的美貌里，隱藏著的是深深的哀愁和絕望，而她望向自己的眼神，也似乎包含了千言萬語。紙終究包不住火，隨著托馬斯的漸漸長大，那個不能說的秘密也在逐漸的顯影，待到真相被揭露的那一天，這兩個痛苦的人該何去何從？

簡介：在MIDNIGHT的世界，反抗黑暗的時刻即將來臨。　　經(jīng)過三個世紀的勾心斗角與戰(zhàn)爭，黑暗之王Izrador終于擊敗自由族類的英雄與軍隊?，F(xiàn)在，他用鐵拳統(tǒng)治著整個Aryth世界。在Shadow的奴役下，人類一族過著被壓迫的生活，而精靈與矮人們則撤退到偏遠的森林與深山里，在那里他們絕望的抵抗也慢慢屈服于Shadow不可動搖的淫威?！　∈苊{查一位失蹤的神父使者，惡名昭著的Mag Kiln被教會派往Blackweir的一個小鎮(zhèn)Erenlander。在這里，他很快被卷入一個古老的秘密中，被揭開的不僅是鎮(zhèn)子禁忌的遺產(chǎn)，還有他體內不斷生長的惡毒的預言。《午夜編年史》是一部講述兩個傳奇人物的史詩故事——善的一族與邪惡一族。這就是講述他們的崛起，斗爭與最終命運的故事，當然他們的命運不可避免地與黑暗之神統(tǒng)治的世界糾纏在一起。

簡介：Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.