簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡(jiǎn)介：一對(duì)西班牙少年與少女之間發(fā)生的平凡又有點(diǎn)特別的戀愛故事。

簡(jiǎn)介：This is an interesting yet bizarre little tale of a fictional (as far as I know, anyway) experiment performed during the Stalin-controlled years in the USSR. The main character is changed from a woman into a man. This is part of a larger plan to change more women into men and have a stronger work-forcearmy, etc. It's a very in-depth character study of the main character, who tries to fit into a world that she (now 'he') doesn't really understand, especially since she's now a man ... Stalin dislikes the results of the experiments and has the scientist killed. The main character then goes off to live a life as a simple, unknown everyday Soviet, but is inexplicably drawn into larger and larger schemes (somewhat reminiscent of Forrest Gump in that way). (s)He has run-ins with different important characters, including his ex-boyfriend from his days of being a woman, as well as going on a demented quest for the nurse with whom he possibly fell in love after the operation... However, he is trapped in his life as an important Soviet married man, and in the end makes a huge sacrifice for his country (unwillingly), and the movie goes from there to an ending that is possibly happy, yet still somehow incredibly depressing.

簡(jiǎn)介：After Hassan discovers Zidik living alone on the streets, he takes him in and cares for him like a son. Zidik now works together with Hassan in the junkyard but both men are stuck in the past. 15 years ago, they lost their loved ones to a virus that turned people violent. Hassan often forgets that the virus killed his wife, while Zidik still remembers his sister attacking his mother and his father sacrificing himself to save Zidik. He also often thinks of Zooey, the girl he met at the orphanage he briefly stayed at before being kicked out by the evil Kak Lily. Meanwhile, Dr. Rahman, a disgraced scientist who previously managed to contain the virus, manufactures a new strain of zombie virus to create chaos. Amid this new zombie outbreak, Zidik encounters a zombified Zooey who tries to attack him but she slowly begins to remember who he is. Zidik then gets taken prisoner by Dr. Rahman when the doctor discovers that he is immune to the virus.

簡(jiǎn)介：十五歲的絲考特帶著妹妹露露和曾祖母，住在德州的小鎮(zhèn)相依為命。為了照顧露露，絲考特經(jīng)常翹課最后成為中輟生，一次意外事件引起兒童福利局的官員上門拜訪。露露的生父被迫出面，強(qiáng)行帶走露露。絲考特只好求助住在附近療養(yǎng)院的山姆，說服他一起飛越杜鵑窩，踏上公路之旅，從德州到紐約，幾乎跨越了整個(gè)美國(guó)國(guó)土，他們決定不計(jì)一切代價(jià)也要搶回露露……

簡(jiǎn)介：

簡(jiǎn)介：民國(guó)68年冬季宵禁，美麗島事件的圍捕仍在進(jìn)行。河邊一處境外之地，好奇心驅(qū)使少年尾隨一名神秘青年，兩人在廢棄小屋交換了恐懼與信任。而後少年被疑似警察的男子帶走，青年卻選擇視而不見。

簡(jiǎn)介：該片講述了道士們爭(zhēng)奪傳聞中神劍的高麗末期和外星人出沒的2022年之間的時(shí)光之門被打開后，引發(fā)的異想天開的故事。

簡(jiǎn)介：一個(gè)炎熱、干燥的夏日，如同過去幾年一般。森林火災(zāi)是無法控制的。四個(gè)年輕人在離阿倫斯霍普不遠(yuǎn)的波羅的海度假屋里相遇。慢慢地，不知不覺中，他們被火焰筑成的圍墻所包圍。紅色的天空籠罩著他們。他們充滿懷疑，他們滿是害怕——但卻不是因?yàn)榛馂?zāi)。是愛讓他們害怕：“誰(shuí)會(huì)在墜入愛河時(shí)死去 ……！”他們?cè)絹碓接H近，他們渴望著，他們相愛著。然而熊熊火焰已無限逼近。

簡(jiǎn)介：在一次家庭露營(yíng)旅行中，一次隨機(jī)的熊襲擊使格雷格（父親）和薩曼莎（女兒）被惡魔崇拜的邪教組織“圈”困住了。 眾所周知，邪教組織中有一個(gè)滲透者。 她正在與外部一位名叫Grady的前成員通訊。 格雷迪的計(jì)劃是帶領(lǐng)一小批救援人員進(jìn)入“圈子”的中心。 但是他們會(huì)及時(shí)趕到那里，以拯救格雷格，薩曼莎和其他被稱為珀西·斯蒂芬斯的惡魔嗎

簡(jiǎn)介：Newlyweds move into their dream home where they discover a collection of 100-year-old letters from a young woman who committed suicide after being abandoned by the owner of the home.

簡(jiǎn)介：本片基于真實(shí)歷史故事改編。1942年1月，日本戰(zhàn)爭(zhēng)機(jī)器的鐵蹄席卷東南亞。在這里，有一個(gè)叫做新不列顛的島嶼上，有一座天主教傳教站，這里的澳大利亞護(hù)士們克服種種困難的條件，悉心照顧手上的澳大利亞士兵。(文life_is_good@YDY)　　January, 1942. The Japanese war machine thunders across South East Asia. In its path,on the island of New Britain, lies a tiny Catholic mission station, Vunapope. Here a handful of Australian nurses take refuge with wounded Australian soldiers.　　Sisters of War is inspired by the true story of two extraordinary Australian women, Lorna Whyte,(now Lorna Johnston) an army nurse and Sister Berenice Twohill, a Catholic nun from country New South Wales who was stationed at Vunapope. Although they were two very different women, their friendship would survive the perilous events that followed.Sisters of War is adapted from wartime diaries and interviews with Lorna, Sister Berenice and others who witnessed these events. The story of their captivity, their extraordinary courage and their will to prevail has never been told.