簡介：麗茲（索拉·伯奇 Thora Birch飾）出生在美國的貧民窟里，從小就開始承受著家庭的千瘡百孔，父母酗酒吸毒，母親患上了精神分裂癥。貧窮的麗茲需要出去乞討，流浪在城市的角落，生活的苦難似乎無窮無盡?！　‰S著慢慢成長，麗茲知道，只有讀書成才方能改變自身命運(yùn)，走出泥潭般的現(xiàn)況。她從老師那里爭取到一張?jiān)嚲?，漂亮的完成答卷，爭取到了讀書的機(jī)會(huì)。從現(xiàn)在起，麗茲在漫漫的求學(xué)路上開始了征程。她千方百計(jì)申請(qǐng)哈佛的全額獎(jiǎng)學(xué)金，面試時(shí)候連一件像樣的衣服也沒有。然而，貧困并沒有止住麗茲前進(jìn)的決心，在她的人生里面，從不退縮的奮斗是永恒主題。

簡介：

　　「商場得意，情場失意。」用這句話形容商人伊博和愛德華，尚嫌太客氣。兩人一個(gè)胖、一個(gè)魯，成天插科打諢，滿腦子性愛。偏偏老婆不領(lǐng)情，夜里不給碰就算了，平時(shí)還酸言酸語刺激魯蛇纖細(xì)的腦神經(jīng)，不但贊不絕口舞蹈教練的性感魅力，還大肆嘲弄老公薄弱的性能力，激得兩人火冒三丈，一不做二不休，上網(wǎng)找?guī)褪?，大老遠(yuǎn)請(qǐng)來俄羅斯殺手干掉枕邊人！
　　殺手伏特加當(dāng)水喝，殺人當(dāng)日常，醉起來像瘋狗；兩人正懊悔想趕他走，殺人計(jì)劃卻已失控出手。但千萬別小看老婆的智商，她們也不甘示弱，要以其夫之道還治其夫之身。本該由愛生性的婚姻，卻因性生活不順而跑出恨與殺機(jī)，冷血?dú)⑹制鹗譄o回，枕邊人的性命保還是不保？
　　布魯塞爾奇幻影展最佳歐洲電影，各式殺人技法神展開，保證令你笑開懷。

簡介：影片的故事背景設(shè)定在蟲獸與人類20年持久戰(zhàn)之后的一次偷襲。面對(duì)這一前所未有的災(zāi)難，人類戰(zhàn)警挺身而出，與異形蟲獸展開了一場生死搏斗，誓死守護(hù)人類家園。

簡介：五代十國是一個(gè)神秘、紛爭、奇人奇事不斷的年代。瘋狂的周世宗自以為天下第一，但是病總是不能根治?；屎蟆⒃紫嗪推渌甲訉ぴL天下第一名醫(yī)張伯謹(jǐn)，其人醫(yī)病不按牌理出牌，他要求天下第一名畫的華陀再世圖為酬，結(jié)果天下第一畫卻想尋得天下第一美女以摹擬其相貌完成壁畫。第一美女卻要天下第一美玉....

簡介：有一個(gè)古老的儀式已經(jīng)為人所知超過一百年了。傳說，人們對(duì)著鏡子說三遍黑桃皇后的名字，她就可以通過畫在鏡子上的門和樓梯被召喚出來。黑桃皇后從照鏡子的人中獲得能量，她會(huì)剪睡夢(mèng)中的人的頭發(fā)，那些看到她的人不是瘋了就是死了。四個(gè)年輕人開玩笑決定要召喚她，但是當(dāng)其中一個(gè)人死于突發(fā)性心臟病，剩下的幾個(gè)人意識(shí)到他們要面對(duì)的是匪夷所思的事件和死亡的危險(xiǎn)。

簡介：阿西瑪隨鄉(xiāng)下男友穆拉特回家鄉(xiāng)拜見他父母。一次聚會(huì)，阿西瑪偶然看見穆拉特與前女友滾到一起，她一氣之下要搭車回城，卻誤上了“送親”的車，被送到“男方”家后，她竟真的和這個(gè)不認(rèn)識(shí)的男人結(jié)婚了……

簡介：本片改編自花澤健吾的同名漫畫，講述了曾經(jīng)輝煌一時(shí)的日本忍者，在戰(zhàn)后被GHQ解散組織而消失，不過，他們潛伏在世界的所有機(jī)關(guān)，現(xiàn)代也暗中活動(dòng)著，據(jù)說人數(shù)約為20萬人。但基層忍者經(jīng)常找不到工作，其中之一的云隱九郎（山崎賢人 飾）隸屬忍者組織“NIN”的末端忍者（下忍），過著與啃老族無異的生活。一天，閑得發(fā)慌的他被判了一項(xiàng)重大的“忍務(wù)”，那就是調(diào)查戰(zhàn)后70多年來一直潛入地下的某個(gè)組織的動(dòng)向，其名為——“地下忍者”。忍術(shù)、智謀、最新科技等驅(qū)使了一切，從未有過的戰(zhàn)斗現(xiàn)在開始。

簡介：The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.

簡介：該片是繼《僵尸歸來之尸鬼虐戀》，《僵尸歸來2消失的御林軍》后，《僵尸歸來》系列劇第三部?！　∮捌v述自從冬生得到紫流霜項(xiàng)鏈之后，每日都?jí)粢娕硭髅?。在玉兒的新書簽售?huì)上，冬生接到關(guān)于紫流霜項(xiàng)鏈神秘電話。冬生和玉兒與神秘電話者見面，神秘電話者名叫四象，乃是茅山道兩儀派的傳人。兩儀派是供職于陰曹地府，負(fù)責(zé)陽間索命地府接引等工作的教派......

簡介：飛刀鏢局局主李元霸二十歲手創(chuàng)飛刀鏢局，歷四十年而從未失過一鏢，在武林中聲名赫赫，但他為人脾氣爆躁，即使對(duì)親生兒子李尋歡（王杰 飾）也疾言厲色，李尋歡只有終日借酒澆仇，混跡于風(fēng)月場所，酒后與雪兒（黎姿 飾）發(fā)生關(guān)系，結(jié)果雪兒懷孕，李尋歡遂迎娶雪兒為妻?；楹蟮睦顚g仍然整天酗酒，把雪兒冷落在家里，甚至雪兒生產(chǎn)那天也不在家中，雪兒寂寞難耐，在一次外出時(shí)偶遇住在附近的朝鮮富商金霧寒，雪兒內(nèi)心深處愛上了這個(gè)朝鮮人。