簡介：

弗里斯蘭最大英雄的神奇時代。

簡介：紐約市地位顯赫的律師阿蘭·弗雷德瑞克遇害身亡后，他的妻子蘇珊有了驚天發(fā)aaa。阿蘭竟是犯罪頭目理查德·科里斯的秘密辯護律師，并正準(zhǔn)備將其交到警察手中。隨著真相逐步展開，她發(fā)現(xiàn)了一張含概了科里斯所有犯罪證據(jù)的磁盤，而這也正是阿蘭的死因。身陷險境的蘇珊只得求救于佐伊·克勞警探，在地區(qū)檢察官的幫助下，佐伊發(fā)誓要保護蘇珊出庭作證。但整個城市都遍布了科里斯的眼線，他們無處可躲，也找不到可信之人，包括克勞手下的警官，負債累累的賭徒奧麥里…

簡介：圍繞著一名才華橫溢但叛逆的警官，他在調(diào)查一起引人注目的案件時發(fā)現(xiàn)了欺騙和背叛的網(wǎng)絡(luò)。

簡介：PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,

簡介：

疫情年代，一棟老公寓，兩戶對門鄰居，陰差陽錯串在一起。阿勛因老板染疫返家，卻要面對兩年前那場大火，在姊姊、媽媽和布袋戲爺爺心上留下的創(chuàng)口；對門的混血姊弟日日為出逃養(yǎng)老院的父親煩憂。阿勛迷上鄰居姊姊，也和弟弟志趣相投。怎料離別來得匆匆，原來在心與心相印的背后，還藏著動人線索。導(dǎo)演張作驥以新作拆解大疫時代下的人際，為不完美的人生，奏響改變命運之聲。

簡介：　　一個年輕的男孩對他已故的祖母的人物著迷，并被送到一個孤立的寄宿學(xué)校，該學(xué)校由一位神秘的校長和他的妻子管理。

簡介：A group of insane asylum inmates flee a broken-down bus and occupy a nearby farmhouse. As they form a collective threaded by bizarre exercises and slapstick setups, the film spirals out into a freewheeling comedy of disorder, told with unusual verve and intensity, and featuring a dissonant, if deranged, soundtrack by free jazz innovator Ornette Coleman and his trio.