簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)簟Ｌ剿魑粗?，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：《苗山花》以解放前貴州麻山地區(qū)“熊氏三兄妹”中的苗族姑娘熊三妹為人物原型，故事發(fā)生在上世紀(jì)30年代末期，羅甸，望謨，紫云三縣交界地區(qū)的麻山農(nóng)民自衛(wèi)團(tuán)與國(guó)民黨地方勢(shì)力展開(kāi)艱苦卓絕的的斗爭(zhēng)。各族同胞自發(fā)加入反抗國(guó)民黨暴政的革命事業(yè)中，歌頌了中國(guó)共產(chǎn)黨引導(dǎo)少數(shù)民族同胞翻身救解放的偉大壯舉。

簡(jiǎn)介：一家銀行遭遇搶劫，所有的證據(jù)都指向銀行的老板和其客戶，但隨著FBI探員的深入調(diào)查，他們發(fā)現(xiàn)搶劫的背后有著更大的陰謀……

簡(jiǎn)介：35歲的諾拉（帕克?波西 Parker Posey 飾）是曼哈頓的一個(gè)成功的職業(yè)女性――她是一間高級(jí)酒店的客服主管。雖然她精明能干，一眼就能看穿客人的需要，但是她卻一直未能找到自己的愛(ài)情歸宿，她在處理感情方面簡(jiǎn)直一塌糊涂。諾拉曾同酒店的客人――明星尼克發(fā)生過(guò)關(guān)系，但當(dāng)她滿懷憧憬的時(shí)候，才發(fā)現(xiàn)對(duì)方不過(guò)是為了演出而和她體驗(yàn)生活。　　在一個(gè)個(gè)“第一次約會(huì)”失敗后，心灰意冷的諾拉遇上了說(shuō)著一口蹩腳英語(yǔ)的法國(guó)人朱利安（梅爾維?珀波 Melvil Poupaud 飾）。兩人的感情迅速升溫，可是朱利安很快就要回法國(guó)了，他邀請(qǐng)諾拉和他一起“私奔”?？墒歉星閷沂艽煺鄣闹Z拉竟忽然沒(méi)了信心，拒絕了朱利安。當(dāng)朱利安回國(guó)后，諾拉才恍然大悟：自己再也沒(méi)法忘掉這個(gè)男人。于是她在好友陪伴下來(lái)到了巴黎。

簡(jiǎn)介：這是一個(gè)類(lèi)似007的故事，主人公歐陽(yáng)陷入了時(shí)間的死循環(huán)，原來(lái)這是一個(gè)虛擬的世界，而這不過(guò)也是一場(chǎng)權(quán)利的游ddd。同時(shí)這是一部有關(guān)愛(ài)的電影，一部探討時(shí)間與生命意義的電影，一部自我救贖的電影。歐陽(yáng)，三十六歲男性，美國(guó)派往亞洲的CIA特工，屬于美籍華人，外表風(fēng)流倜儻，實(shí)則善良誠(chéng)實(shí)，個(gè)性驕傲自信又堅(jiān)強(qiáng)剛毅，是成熟的暖男。接到上級(jí)命令護(hù)送一位叫飛兒的女孩，職責(zé)是保護(hù)女孩的安全。但在護(hù)送途中卻發(fā)生了意外……

簡(jiǎn)介：Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

簡(jiǎn)介：講述一個(gè)一毛不拔的小提琴家被一個(gè)愛(ài)慕者和突然找上門(mén)來(lái)的女兒一起改造的故事。

簡(jiǎn)介：大木琢郎（塚地武雅飾）是一家小餐館的店長(zhǎng)，雖然待人和善，脾氣又好，可年過(guò)而立的他至今連一次戀愛(ài)都未成功過(guò)?！　〉昀飦?lái)了新的服務(wù)員寬子（北川景子飾），長(zhǎng)相甜美又勤勞的她一下子博取了眾人的喜歡，當(dāng)琢郎鼓起勇氣對(duì)其告白時(shí)，對(duì)方卻逃跑了。　　大受打擊的琢郎將此歸咎于自己外表的缺陷而懊惱不已，此時(shí)他意外地獲得了一套“英俊西裝”，穿上它，琢郎便化身為外表光鮮亮麗的光山杏仁（谷原章介飾），他火速跨入模特界，并和第一人氣模特來(lái)香（佐田真由美飾）搭檔，迅速躥紅為人氣王?！　】墒钱?dāng)巨大的刺激過(guò)后，一人分飾二角的情形開(kāi)始困擾琢郎，大木琢郎和光山杏仁，他最終要選擇哪一個(gè)呢？

簡(jiǎn)介：故事講述希拉里飾演的角色回到家中照顧患有阿爾茨海默病的母aaa。由于圣誕節(jié)晚上的一個(gè)意外，母親的病情持續(xù)惡化。

簡(jiǎn)介：本片為程剛導(dǎo)演、辛漢白編劇，可謂早期的「監(jiān)獄風(fēng)云」。故事描述，香港在1953至1955年，曾被警方稱為最黑暗的時(shí)期，那時(shí)候罪惡泛濫，百弊叢生，一日可發(fā)生三十二宗驚人案件，而犯罪份子有百分之四十是積犯；英廷特派專員來(lái)港調(diào)查監(jiān)獄的措施，發(fā)現(xiàn)獄中不良份子，濫用權(quán)力，公報(bào)私仇，歪曲政府的監(jiān)獄制度，造成犯人越變?cè)胶冢O(jiān)獄變成地獄。影片主角江才（劉永）因不甘受探長(zhǎng)侮辱，結(jié)果被控妨礙公務(wù)，判刑一年零八個(gè)月……

簡(jiǎn)介：　　年近三十的詹姆斯（本尼迪克特·康伯巴奇 Benedict Cumberbatch 飾）發(fā)現(xiàn)自己患上了癌癥，在巨大的打擊之下，他開(kāi)始思考起了生命的意義。在他的回憶里，位于威爾士西部的巴拉方德灣是一個(gè)充滿了回憶的地方，站在人生的十字路口上，他決定故地重游，重溫美好的過(guò)往。
　　就這樣，詹姆斯和三個(gè)好友踏上了前往巴拉方德灣的旅程，他們分別是邁爾斯（JJ·菲爾德 JJ Feild 飾），戴維（湯姆·伯克 Tom Burke 飾）和比爾（Adam Robertson 飾）。作為詹姆斯的好友，邁爾斯一行人有義務(wù)陪伴詹姆斯度過(guò)人生中最艱難的時(shí)刻，然而，這趟略帶傷感的旅程對(duì)于他們來(lái)說(shuō)有著更加重要的意義。一路上，麻煩接踵而至，四人之間的友情不斷的遭受著考驗(yàn)，但他們都明白，人生就如同一場(chǎng)旅行，只要不斷向前，就總有達(dá)到目的地的那一天。

簡(jiǎn)介：

海倫及男友詹某次在采訪南美某國(guó)家示威暴力時(shí)，不幸遇軍警攔截而遭受刑求，詹被殺身亡而海倫幸存。海倫在鉅變后一直不愿面對(duì)傷痛。某日她專訪著名心理復(fù)建中心主持人安娜，并受邀接受治療。在療養(yǎng)院中海倫巧遇自稱受難者的雷米爾教授，兩人建立了深厚感情，慢慢走出被強(qiáng)暴的陰影，直到雷米爾的真實(shí)身份揭曉……