簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：一部犯罪驚悚劇，它超越了常規(guī)罪案調(diào)查，是關(guān)于一個(gè)印度小鎮(zhèn)受到一樁罪案沖擊的故事，該劇試圖動(dòng)搖文化社會(huì)結(jié)構(gòu)。這個(gè)故事以一個(gè)獨(dú)特的微型節(jié)日為背景，在我們被卷入風(fēng)暴之眼的同時(shí)，古老的神話與令人不安的現(xiàn)實(shí)發(fā)生碰撞。

簡(jiǎn)介：

該劇講述了代替百元跑腿的男人金執(zhí)事和聆聽(tīng)死者愿望的葬禮指導(dǎo)師白東珠一起經(jīng)營(yíng)生活跑腿企業(yè)“日當(dāng)百”的故事

簡(jiǎn)介：　　莫昌誠(chéng)(金沛辰飾)和沈柏翹(吳永金飾)，懷著亢奮的心情到警署報(bào)到。然而，對(duì)警察的工作充滿熱誠(chéng)的誠(chéng)，卻被安排與葉坤(梁家仁飾)一起搭檔，令誠(chéng)多少有些泄氣。做事作風(fēng)別樹(shù)一格的重案組谷道政(尹天照飾)因?qū)移破姘付诰瘏^(qū)內(nèi)聲名遠(yuǎn)播。這天，正在搜集情報(bào)的政碰到坤和初來(lái)報(bào)到的誠(chéng)，在誠(chéng)的眼中，政只是個(gè)在街上蹓跶的慵懶便衣，根本不像什么干探，令他對(duì)政留下壞印象。酒樓張欣欣(陳法蓉飾)與持雙程證來(lái)港的親妹張佩佩(李華飾)及大班為爭(zhēng)取居港權(quán)的人士一同集結(jié)在花園示威抗議，誠(chéng)與坤接報(bào)派駐現(xiàn)場(chǎng)維持秩序。激進(jìn)的示威者與警員遂發(fā)生沖突，混亂間，坤錯(cuò)手開(kāi)槍，將一名示威者擊斃。民選獨(dú)立議員霍天良(謝君豪飾)對(duì)此事十分關(guān)注，出面要求政府就事件作出公平的處理。坤因此事而要停職接受項(xiàng)目小組的調(diào)查，然而，眾示威者的口供均對(duì)坤極其不利，而唯一的目擊者佩卻又因怕事而三緘其口。政為幫坤查出真相而私下調(diào)查，卻被誠(chéng)發(fā)現(xiàn)，二人因而再起沖突，關(guān)系一度惡化……

簡(jiǎn)介：　　《濟(jì)公》，1995年－1996年于臺(tái)視晚間首播的臺(tái)語(yǔ)古裝劇，以民間故事流傳的濟(jì)公為主軸，由周明增、慕鈺華、陳文山、鄭志偉領(lǐng)銜主演。闡述善有善報(bào)、惡有惡報(bào)之因果教育。。監(jiān)制顧安生，制作人邱清漢。
　　2017年在臺(tái)視綜合臺(tái)重制播出，共計(jì)32單元、264集（2017年版本）每集長(zhǎng)度30分鐘（含廣告）
　　劇中由周明增所飾的濟(jì)公，繼承其父許不了之喜劇特色，與師兄弟間精采且饒富趣味的互動(dòng)，奪得極高的收視，成為經(jīng)典的濟(jì)公版本。之后由陳浩民主演的《活佛濟(jì)公》，劇情跟本劇相似。

簡(jiǎn)介：　　本劇明朗、輕快地描繪--初婚女人和一個(gè)再婚男人結(jié)婚后，賢明地解決-在被認(rèn)可為后媽之前就成為奶奶的狀況，而且堅(jiān)強(qiáng)地、積極地克服與子女之間矛盾的過(guò)程。
　　創(chuàng)造堅(jiān)實(shí)、美好的家族！！
　　本劇欲通過(guò)現(xiàn)時(shí)代存在的各式各樣的家庭，解決我們社會(huì)存在的一些問(wèn)題。
　　欲解決年輕一代離婚率高的問(wèn)題；應(yīng)該享受生活的父母一代，卻因養(yǎng)育孫子孫女而操心的問(wèn)題，通過(guò)共同育兒提出對(duì)策。

簡(jiǎn)介：1983 年，15 歲的艾瑪努艾拉·奧蘭迪在羅馬失蹤。此后數(shù)十年，這個(gè)謎團(tuán)一直困擾著梵蒂岡。

簡(jiǎn)介：　　明朝萬(wàn)歷二十九年，皇長(zhǎng)子朱常洛被正式冊(cè)封為皇太子，賜太子府，次年底萬(wàn)歷為皇太子征選太子妃，一時(shí)之間，各王侯將相之女，爭(zhēng)相進(jìn)入太子府，掀起了一場(chǎng)規(guī)模浩大的選秀序曲，明爭(zhēng)暗斗，攀龍附鳳的前奏，一場(chǎng)沒(méi)有硝煙的金粉之戰(zhàn)就此打響……公元1592年4月，日本豐臣秀吉出兵朝鮮，一月以 內(nèi)，朝鮮八道盡失向“大明求援”，福王朱常洵以為援朝將嚴(yán)重耗費(fèi)國(guó)庫(kù)，勸萬(wàn)歷按兵不動(dòng)，皇太子朱常洛則嘆中國(guó)朝鮮，不過(guò)一江之隔，倭寇之圖朝鮮意實(shí)在中國(guó)，而我兵之救朝鮮實(shí)所以救中國(guó)，萬(wàn)歷最終采納了朱常洛的意見(jiàn)，于是公元1592年至1593年，1597年至1598年明朝兩次派兵，共盡十七萬(wàn)人“赴朝救援抗日”史稱“朝鮮之役”。戰(zhàn)勝歸來(lái),皇帝正式冊(cè)封恭妃其子朱常洛（宋洋 飾）為皇太子，鄭妃（王藝曈 飾）其子朱常洵（朱一龍 飾）封為福王此次得到父皇的贊賞，還為皇太子征選太子妃，一時(shí)之間，各王侯將相之女“梅兒（關(guān)慧卿 飾），蘭蘭（何杜娟 飾），碧瑤（陳思璇 飾）三人被迫也前去參選，爭(zhēng)相進(jìn)入太子府，掀起了一場(chǎng)規(guī)模浩大的選秀序曲，明爭(zhēng)暗斗，攀龍附鳳的前奏。

簡(jiǎn)介：該劇以當(dāng)代大學(xué)畢業(yè)生蘇梅梅的視角，通過(guò)她意外穿越到長(zhǎng)征途中為紅軍送物資、見(jiàn)證紅軍戰(zhàn)士浴血奮戰(zhàn)的經(jīng)歷，真實(shí)再現(xiàn)了波瀾壯闊的長(zhǎng)征歷史，傳遞了溫暖而樸素的家國(guó)情懷。

簡(jiǎn)介：　　吳州博物館的震館之寶，一只價(jià)值連城的明代成化斗彩杯不翼而飛，引起吳州各界人士的恐慌。公安局立即組成偵破小組，全力追回失竊的國(guó)寶。從現(xiàn)場(chǎng)遺落的毛發(fā)上取得的DNA確定此竊賊為公安部全國(guó)通緝要犯，綽號(hào)“飛鼠”。然而，盜賊偷的杯卻被扒手調(diào)了包！眾人驚愕，整個(gè)案件變得撲朔迷離。部里，省廳一天十二道金牌，壓得公安局長(zhǎng)喘不過(guò)氣。不得不請(qǐng)來(lái)素有“常大爪”之稱，令全省扒手聞風(fēng)喪膽的反扒英雄常青山。常青山臨危受命，精選出反扒別動(dòng)隊(duì)，卻引來(lái)領(lǐng)導(dǎo)們的非議：局里五上將、拼命三郎多的是，卻偏偏選中她倆人？許君英武功精湛，反應(yīng)敏銳；陸曉虹頭腦清晰，心細(xì)如絲，電腦、英語(yǔ)、射擊、駕駛樣樣精通。領(lǐng)導(dǎo)們沒(méi)了脾氣，唯一的要求就是盡快找到成化杯，完璧歸趙?！叭藥汀遍_(kāi)始行動(dòng)，同刑偵隊(duì)配合，明暗兩線，雙管齊下。與此同時(shí)，江湖上分幫結(jié)派的專業(yè)扒手對(duì)流失的國(guó)寶各懷鬼胎，蠢蠢欲動(dòng)。兩江幫幫主千手觀音與妻子鐵肩公主為報(bào)常青山的殺妹之仇，傾...

簡(jiǎn)介：　　《大路上》以我國(guó)實(shí)施東北地區(qū)等老工業(yè)基地振興戰(zhàn)略為背景，圍繞沈陽(yáng)國(guó)有企業(yè)為解決歷史性難題奮勇改革為主線，細(xì)致刻畫了沈陽(yáng)老工業(yè)基地歷代產(chǎn)業(yè)工人拼搏進(jìn)取的優(yōu)秀品質(zhì)。劇中講述了鐵西區(qū)特大型國(guó)有工業(yè)企業(yè)在廠長(zhǎng)徐光漢的帶領(lǐng)下克服了工人下崗、企業(yè)虧損等不利因素，自主研發(fā)地走出了一條國(guó)企改革振興的輝煌大路。而林靜飾演的何素艷，在經(jīng)歷了下崗、母親重病和丈夫工作難保等一系列困難后，仍能積極樂(lè)觀地面對(duì)生活。

簡(jiǎn)介：　　The first episodes were shot in 1922 and found an end in 1944. Totally there are 221 single episodes. A complete catalog of all episodes you will find at "All movies of Our Gang / The Little Rascals at a glance". A small picture gallery you can find under "Gallery".
　　The little Rascals were called into live through the legendary producer Hal Roach (Roach also spotted the comedians Laurel & Hardy). The trigger for the combination of a child troupe was the exceptional big success of rascal Ernie "Sunshine Sammy" Morrison in comedies of Harold Lloyd and Snub Pollard.
　　The composition of the troupe was checkered and represented typical children in the neighborhood. The original cast were Mary Kornman (the beautiful girl), Allen "Farina" Hoskins" (the naive negro), Mickey Daniels (the freckled whipper-snapper), Joe Cobb (the pleasant fat person), Jackie Condon (the rich fellow), Ernie Morrison (the rascal) and last but not least Pete the pet with a painted circle around his right eye.
　　The success of the rascals was based on the imitation of the world of the adult but at the same time they played a trick or shew a behavior which the adults wouldn't dare to do themselves. It is also astonishing that the children acted extremely natural in contrast to the child stars in the 30's with their pseudo adultness.
　　The stories were made from simple pattern but affectionate. At this time didn't exist real scripts but rather there was a short outline of the main theme, gags and other ideas were developed only during the shot. The success of the serial wasn't due to a single person but was the result of a exemplary teamwork.
　　Each episode offered new adventures for the children. There is a trip to New York where happened the coincidence that the children are able to nabbing a bus, to play deadhead or to hover over the city with a piece of fabric as parachute replacement.
　　In spite of their unusual behavior, the rascals never had to expect serious consequences because they tricked the adults with wit and phantasie. Perhaps the children took a sound thrashing after a successful adventure, but after that they show to the audience with a roguish expression that the preceded adventure was worth for this and that nothing could take away their go by experiences.
　　When Hal Roach sold the serial to M-G-M in 1938, it rang in the decline of the serial. M-G-M wasn't able to maintaining the magic which the serial radiated before and was shut down in 1944.
　　Since then the serial experienced a resurrection time and again through broadcastings on TV. With this they erected a lasting monument to the little rascals.