簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場感官的極致盛宴。每一次心跳，都是對寂寞長夜最有力的回?fù)簟Ｌ剿魑粗w驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡介：住西部大山的美麗村姑田枚，進(jìn)城打工。巧遇電視臺“美麗村姑”大賽的編導(dǎo)人員，大家一致認(rèn)為田枚的形象、氣質(zhì)是理想中的村姑，于是田枚順利通過村姑大賽的初賽進(jìn)入決賽。但在建筑工地打工的男朋友二巖卻對田枚的這種行為有成見。于是，在是否參賽和參賽后的種種猜忌中，兩小無猜的田枚和二巖因?yàn)橐庖姺轴质至恕！昂╊^憨腦”的田枚憑著她大山姑娘的刻苦、頑強(qiáng)和謙虛好學(xué)的那股“拙勁兒”，在大賽中各方面的表現(xiàn)都極好地超越了其他村姑，最后勇奪冠軍。

簡介：該片以真實(shí)的人物事件為原型，講述了刑滿釋放人員出獄以后在黨和政府以及社會各界的關(guān)愛下，自強(qiáng)不息、重塑人生、艱苦創(chuàng)業(yè)的感人故eee。

簡介：最近，城市里發(fā)生了可怕的殺人事件，一具被切割成6塊的女尸的曝光和兇手的逍遙法外引起了社會的恐慌。作為休假的交換條件，搜查科研究員姜民浩（薛景求 飾）接下了這個棘手的案件。行事雷厲風(fēng)行的他和推理天才閔瑞英（韓惠珍 飾）聯(lián)手，調(diào)查取得了突飛猛進(jìn)的進(jìn)展，嫌疑人李圣浩（ 柳承范 飾）的名字漸漸浮出水面?！　±钍ズ埔唤?jīng)逮捕就對自己所犯的罪行供認(rèn)不諱，可是姜民浩卻發(fā)現(xiàn)事實(shí)并不是他所說的那么簡單。就在這個節(jié)骨眼上，姜民浩的女兒突然失蹤，他明白這絕對和李圣浩脫不了干系。李圣浩告訴姜民浩，若想要得知女兒的下落，就必須和他玩一個解謎的游戲——解開他留在尸體上的謎題。一場以生命為籌碼的賭注開始了。

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一年一度的圣誕節(jié)又到了。全家忙著外出歡度圣誕假期，不料忙中出錯，將家里最小的成員——8歲的凱文（麥考利?卡爾金 Macaulay Culkin　飾）留在了家里。爸爸媽媽急壞了，可此時他們已經(jīng)身在外地，一時亦無可奈何。倒是凱文樂壞了，難得一個人在家，凱文將家里布置成了“游樂場”。

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5283，開始行動！

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繼《圣山》中的事件之后，我們重訪了菲洛梅娜的家，這部影片預(yù)計將比第一部更大、更黑暗。

簡介：郁瑩在國中擔(dān)任數(shù)學(xué)老師，也安排好自己想要的生活，但她卻在計劃出國旅游之際，接到了一道不知如何下手的題目。國三的鄭合，在升學(xué)的高壓里，撞上父母的離異與混亂的青春期，什么話都不想說。在安靜而未知的黑夜中，兩人的卡住人生，在深夜的加油站相遇了。

簡介：羅峰為了能夠守護(hù)地球前往血洛大陸進(jìn)行試煉，在這片大陸上他不斷突破自我，結(jié)識了友善的朋友也遇到了強(qiáng)大的敵人，但是他都沒有退縮，而是一步一個腳印的負(fù)重前行。最終他完成了無限的進(jìn)階，獲得了保護(hù)地球的強(qiáng)大能力。

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解放前,雜亂的上海街頭,饑腸轆轆的流浪兒小牛偷了萬老頭修表鋪中一塊金表,他的小伙伴大貓和小耗子為之眼紅,于是發(fā)生爭斗,結(jié)果被帶往警察局拘押。至此,三個孩子又團(tuán)結(jié)一致,發(fā)誓嚴(yán)守金表的秘密。　拘押期內(nèi),小牛因爭食并動手打人,又被送進(jìn)“兒童教養(yǎng)院”。教養(yǎng)院訓(xùn)導(dǎo)主任殷小臣發(fā)現(xiàn)了小牛偷金表的秘密后,便借此要俠他,唆使他盜賣院內(nèi)公物,此事被院內(nèi)名叫小胖的孩子發(fā)現(xiàn)。事發(fā)之后,教養(yǎng)院教導(dǎo)員雷春華著手調(diào)查。小胖準(zhǔn)備聯(lián)絡(luò)院內(nèi)孩子揭發(fā)殷小臣,小牛卻向殷小臣通風(fēng)報信。殷小臣先發(fā)制人,把小胖狠揍一頓。雷教導(dǎo)員為人熱情厚道,對小牛生活關(guān)懷備至,使小牛深受感動。最后,當(dāng)小牛知道萬老頭因丟了顧客的金表被拘留三個月,他的孫女、小牛的好朋友翠翠孤苦伶仃,無依無靠時,良心受到譴責(zé),終于坦白了自己的錯誤,并揭發(fā)了殷小臣的違法勾當(dāng)。小牛的表現(xiàn),得到雷春華和孩子們的諒解和歡迎。

簡介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.