簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾蕚淞艘粓龈泄俚臉O致盛宴。每一次心跳，都是對寂寞長夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

簡介：孤獨青年在住宅大樓自設昆蟲館，把各種昆蟲和爬蟲類視為寵物，蝎子蜈蚣愛不釋手。新寵兒是一只外來蜘蛛，暫時給它一個安樂窩，只是掌上明蛛求生欲強，它要逃離禁室，不斷繁衍。后代變種奪命巨蛛，大樓到處結(jié)滿蛛網(wǎng)，居民陷入一片恐慌。基于公眾安全理由，警方封鎖現(xiàn)場所有出口，死里逃生更是難上加難。凡尼切克首部長片，直視無孔不入的致命威脅，觸及社會的階級歧視，勾起封城恐懼，善用特效與場景空間，拍出令人毛骨悚然血壓狂飚的蛛殺危機。

簡介：影片講述了沉睡的古代巨型怪獸夔牛被人們意外喚醒，醒來后的怪獸展現(xiàn)出強大的破壞能力，它的存在嚴重威脅到了人們的安全。雖然上級太守組織人馬前去應對，但是人們面對巨獸顯出種種疑問，巨獸為何而來。阿寧的調(diào)查也使得秘密浮出面，原來這一切都是人們自己釀造的惡果。

簡介：主角 Lara 于15歲之「老齡」才加入芭蕾舞班。由于較其他女孩遲起步，她每日下盡苦功，甚至練到腳尖破皮流血亦不肯歇息。 　　Lara 的夢想不只是成為芭蕾舞蹈員——她還想成為一個女孩。是的，「他」原是家中的長子，名叫 Victor……猶幸爸爸一直在旁鼓勵﹑陪她接受荷爾蒙治療，全心全意支持她完成夢想。

簡介：故事講述了天津衛(wèi)五河撈尸隊的水上警察郭得友與師弟丁卯在酒肉和尚李大愣的攛掇下一同探查三岔河口沉尸案，經(jīng)歷了魏家墳探鬼樓、陰陽河仙指路、惡狗村捉妖，最終抓住幕后真兇的故事。

簡介：新郎莫景謙在婚禮上發(fā)現(xiàn)新娘安詩慧已經(jīng)去世，安排了長相無二的胞妹安詩凝替嫁。不負打擊的莫景謙在家族壓力下被批接納安詩凝，同時也展開了改造新娘的計劃，最終莫景謙被安詩凝堅韌善良的品質(zhì)所打動，真正愛上了安詩凝。

簡介：Sequel to Becky (2020).

簡介：Edward Dunstan is an artist obsessed by his muse. Every photograph and every movie conveyed the same meaning What he wanted to see. His muse waited in vain for him to see her as she was, but he could not. And so, like the mermaid in his latest movie who grew legs and left him, so does his muse. For months his days and nights are filled with watching her on the screen. His anger turns to self-pity... turns to acceptance... Only now does he understand what he put her through. When his latest letter to her is returned, he binds himself in chains and climbs into the very tank of water his muse spent many unhappy hours.

簡介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but na?ve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)

簡介：瓦妮莎扮演一位年輕的未婚媽媽，她逃脫了總是虐待她的母親去找生父，而他的生父先是接受了她，然后因為她不愿意打掉孩子又趕走了她。

簡介：The family tensions of six siblings born to the same father and different mothers.

簡介：When school teacher Harriet Winslow goes to Mexico to teach, she is kidnapped by Gen. Tomas Arroyo and his revolutionaries. An aging American, Ambrose Old Gringo Bierce also in Mexico, befriends Gen. Arroyo and meets Harriet. Bierce is a famous writer, who knowing that he is dying, wishes to keep his identity secret so he can determine his own fate. Though he likes Arroyo, Bi...