簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾蕚淞艘粓龈泄俚臉O致盛宴。每一次心跳，都是對寂寞長夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

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電影是一段圍繞著兩兄弟的故事。哥哥文光（莊仲維 飾）個性敏感，無法專注集中，更不善與人交際。盡管如此，弟弟（張順源 飾）一直設法幫助文光找到工作。然而，文光屢次搞砸面試，闖禍惹麻煩，弟弟氣憤又無奈。直到有一天，弟弟聽到哥哥房間傳來的音樂聲，才意識到哥哥的音樂天賦一直默默閃耀著。

簡介：40歲的神經(jīng)外科醫(yī)生瑪爾塔墜入了愛河。她拋下自己在美國閃亮的職業(yè)道路，回到了布達佩斯，與所愛的男人展開新生活?，敔査谧杂蓸蚩嗫嗟氐却欢]有出現(xiàn)在約會地點?，敔査_始拼命地尋找他，可是當她終于找到了他，這位她生命中的摯愛卻說兩人此前從未見過面。

簡介：影片講述了音樂老師余靜（柯佳嬿 飾）為治療情傷流浪到花蓮；郁郁不得志的流浪教師邢致遠（傅孟柏 飾）被調(diào)往鄉(xiāng)村學校，他把歌唱選秀當作自己教育事業(yè)的跳板，機緣巧合下找來了天生好歌喉的學生李東朔（謝博安 飾），并請來余靜指導，三人在相處的過程中情愫暗生，余靜在輕熟男老師傅孟柏和青春高中生謝博安之間，站在愛情十字路口的柯佳嬿又將如何選擇？

簡介：一個害羞的合作社和她的同學們前往歐洲去參加一個儀式。 與他們在一起的是一個撒旦的信徒，他誘使他們陷入致命的陷阱，成為撒但的犧牲品。一個處女是讓撒但死而復生的關鍵。但在撒但控制世界之前，她會失去童貞嗎？

簡介：尼克·羅賓森、邁克爾·珊農(nóng)、布麗特·羅伯森、亞歷克斯·帕蒂弗將主演劇情片[回聲潮世代](Echo Boomers，暫譯)。影片根據(jù)真實事件改編，以一群幻想破滅的20歲青年為中心，他們闖入富人家中并實施盜竊。這將是塞斯·薩沃伊的導演處女作，劇本也由其獨立撰寫。

簡介：Aspiring martial artist Ria Khan believes she must save her older sister, Lena, from her impending marriage. With the help of her friends, Ria attempts to pull off the most ambitious of all wedding heists in the name of independence and sisterhood.

簡介：從小喜愛唱歌的白云虹帶著自己的夢想來到北京，在一次租房時恰遇同樣懷揣夢想來北京的車遠軍，兩人因租房發(fā)生激烈的爭吵，產(chǎn)生了矛盾。卻又互不情愿的成為里外屋的鄰居。生活的窘迫，現(xiàn)實的無奈，使兩人的磨擦愈演愈烈。然而一個“書法家”的闖入使他們逐漸在爭吵中互相了解、化解了矛盾，最終成為一對戀人。 白云虹在歌廳唱歌才華被一老板看...

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　　一部以真實故事為基礎的虛構電影。以20世紀80年代為背景，講述了在一個連路都很難找到的慶尚北道的鄉(xiāng)下，和姐姐“寶京”一起生活的數(shù)學天才高中生“俊京”（樸正民 飾）的故事，俊京在女朋友“羅熙”（林允兒 飾）的幫助下與姐姐、村莊里的人們一起努力建造火車簡易車站，李圣旻飾演俊京的父親一角。

簡介：Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.

簡介：科學狂人和荒島驚魂后，這回天才特工小姐弟必須面對的，是解救全世界孩子的任務和一個龐大危險瘋狂的虛擬游戲…… 在莫名其妙的失去了他的特工工作以后，“少年版007”朱尼·柯蒂斯(達利奧·薩巴拉飾)被告知他必須設法進入一個虛擬游戲的世界，他的姐姐卡門·柯蒂斯(阿歷克夏·維加飾)的精神被禁錮在那里。 　　游戲的設計者是一個被成為“玩具制造商”(席維斯·史泰龍飾)的狂人，他有五個全然不同的分裂人格，出于邪惡的目的，他希望能夠通過這個游戲控制全世界的孩子。為了打敗他，朱尼加入了一個由全世界招募而來的孩子們組成的游戲測試小組中，進入虛擬世界接受層出不窮的挑戰(zhàn)。朱尼面臨著一系列考驗：比如在熾熱的火山巖漿上沖浪，和巨大的機器人與異種怪獸交戰(zhàn)，又或者危險重重的奪命狂奔。即使有曾經(jīng)也是天才特工的祖父幫忙，朱尼能夠成功的通過這些關卡，拯救姐姐卡門并最終打敗邪惡的玩具制造商嗎？

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Mark從小生活在小村莊，那里有很多的白色水牛，村長希望Mark可以用功讀書，上完大學，每年都將白色水牛賣了給Mark交學費。Mark也在很用心的學習，可是英語考試一直是他頭疼的科目，他為了這個科目又多上了兩年的大學，最后還是失敗，Mark決定不再學習，開始了自己人生的旅程，而白色水牛也成了他接下來生活的一部分。