簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

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一個(gè)私企老板立志要建立一個(gè)非同尋常的公園：恐龍將是這個(gè)公園的主角。他把眾多科學(xué)家收歸旗下，利用琥珀里面困住的遠(yuǎn)古蚊子體內(nèi)的血液，提取出恐龍的基因信息，利用這些信息培育繁殖恐龍。結(jié)果如愿以償，他在島上建立成了一個(gè)恐龍公園，堅(jiān)信可以從中賺取大錢。然而，科學(xué)家們則憂心忡忡。不幸的事情果然發(fā)生了。雖然公園有電腦系統(tǒng)管理，但卻因?yàn)楸粏T工破壞而造成了無法挽救的失控：所有的恐龍?zhí)映隽丝刂茀^(qū)，人們紛紛逃竄卻逃不過恐龍的魔爪?？铸堊韵鄽垰?，人們亦死難無數(shù)，恐龍后續(xù)襲擊一個(gè)工業(yè)園區(qū)時(shí)，一群衣衫襤褸的雇傭兵被召集進(jìn)來。在他們摧毀該園區(qū)并逃往世界之前，將它們圍住。并且設(shè)定了精密的計(jì)劃來消滅這些變異的恐龍。最后幸存者寥寥，只得四人逃出生天。

簡(jiǎn)介：一位攝影師被派去拍攝山上一朵罕見的花，發(fā)現(xiàn)了被困在非法伐木者藏匿的妓院中的婦女?，F(xiàn)在，他必須竭盡全力拯救他們

簡(jiǎn)介：皮蘭德婁去世時(shí)留下了明確的安排：不要給自己舉辦葬禮。但是影片中卻發(fā)生了三次葬禮。這部電影講述了皮蘭德婁的骨灰從羅馬到阿格里琴托的超現(xiàn)實(shí)之程。旅程中包含了種種奇妙的巧合：飛機(jī)因?yàn)楣爬系拿孕艣]有起飛；火車慢慢地向南方行駛……最后，皮蘭德婁的骨灰被撒到西西里海，形成了一個(gè)釘子的形狀。《釘子》是皮蘭德婁最后一部作品，靈感來自布魯克林的一起謀殺案和《混沌》中巴斯蒂安德杜這個(gè)人物。

簡(jiǎn)介：萊昂諾是一位努力與生活纏斗，試圖養(yǎng)家糊口的中年婦女。當(dāng)她無意間讀到劇本征集的廣告后，她想起了曾經(jīng)的電影生涯，想繼續(xù)年輕時(shí)未完成的劇本創(chuàng)作。天不遂人愿，突發(fā)的意外將她的身體困在病榻，靈魂卻因此闖進(jìn)了她創(chuàng)作的故事中，上演了一場(chǎng)又一場(chǎng)令人目不暇接、天馬行空的大冒險(xiǎn)。

簡(jiǎn)介：《娑婆訶》是張?jiān)踪t執(zhí)導(dǎo)的懸疑驚悚電影，由李政宰、樸正民主演，于2019年2月20日在韓國(guó)上映?！　≡撈v述追查新興宗教團(tuán)體受賄案件的樸牧師(李政宰飾)在遭遇神秘人物和事件后發(fā)生的懸疑驚悚故事。

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簡(jiǎn)介：Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.　　In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.

簡(jiǎn)介：自與約翰分手已有30年后，瑪麗安隱約感到約翰還需要她，于是她決定到約翰鄉(xiāng)下的家里去看望這個(gè)別了30年的老男人。他過著富足但與世隔絕的生活，在兩個(gè)人之間，盡管很多年過去，當(dāng)初的情感依然非常真實(shí)。在那里，瑪麗安認(rèn)識(shí)了約翰與前妻的兒子恩里克，以及恩里克21 歲的女兒卡琳娜，他們住在離約翰家不遠(yuǎn)的地方，但這老少三代人似乎并不和諧，瑪麗安感到了卡琳娜對(duì)父親恩里克的愛和約翰對(duì)兒子的不滿，三個(gè)心靈都非常孤獨(dú)的人之間有著似乎無法消除的隔膜和愛恨交織的復(fù)雜情感。

簡(jiǎn)介：本片根據(jù)弗洛倫斯·奧貝納斯撰寫的小說《烏斯特雷姆的碼頭》改編，比諾什飾演一位知名作家，她想要通過親身體驗(yàn)去撰寫一部有關(guān)工作狀態(tài)中不安感的書。她化身成清潔女工，在工作中發(fā)現(xiàn)每一元錢對(duì)生活都很重要，而這是社會(huì)上很多階級(jí)看不見的層面。當(dāng)她經(jīng)歷過這場(chǎng)考驗(yàn)，她與一些不幸的同伴結(jié)下了真正的友誼，溫暖而且快樂的關(guān)系。

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最好的朋友丹妮絲和約翰尼欠下了毒販的巨額債務(wù)，他們同意做一件卑鄙的工作來償還他們上一次的罪孽——闖入一間破舊的藏匿處偷走一袋神秘毒品。但是，雖然進(jìn)入房子可能很容易，但逃跑卻更加困難，因?yàn)樗麄儼l(fā)現(xiàn)自己被困在里面，里面還有一個(gè)精神錯(cuò)亂的惡魔。沒有出路，也不想錯(cuò)過機(jī)會(huì)，約翰尼吸食了新毒品，并迅速回到了過去，引發(fā)了未來令人震驚的新事件。穿越時(shí)空，丹妮絲獨(dú)自面對(duì)她的過去、毒販凱恩的真實(shí)身份以及她自己的存在。