簡介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場感官的極致盛宴。每一次心跳，都是對寂寞長夜最有力的回?fù)簟Ｌ剿魑粗?，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡介：住西部大山的美麗村姑田枚，進(jìn)城打工。巧遇電視臺“美麗村姑”大賽的編導(dǎo)人員，大家一致認(rèn)為田枚的形象、氣質(zhì)是理想中的村姑，于是田枚順利通過村姑大賽的初賽進(jìn)入決賽。但在建筑工地打工的男朋友二巖卻對田枚的這種行為有成見。于是，在是否參賽和參賽后的種種猜忌中，兩小無猜的田枚和二巖因?yàn)橐庖姺轴质至??！昂╊^憨腦”的田枚憑著她大山姑娘的刻苦、頑強(qiáng)和謙虛好學(xué)的那股“拙勁兒”，在大賽中各方面的表現(xiàn)都極好地超越了其他村姑，最后勇奪冠軍。

簡介：該片以真實(shí)的人物事件為原型，講述了刑滿釋放人員出獄以后在黨和政府以及社會各界的關(guān)愛下，自強(qiáng)不息、重塑人生、艱苦創(chuàng)業(yè)的感人故eee。

簡介：

繼《圣山》中的事件之后，我們重訪了菲洛梅娜的家，這部影片預(yù)計(jì)將比第一部更大、更黑暗。

簡介：郁瑩在國中擔(dān)任數(shù)學(xué)老師，也安排好自己想要的生活，但她卻在計(jì)劃出國旅游之際，接到了一道不知如何下手的題目。國三的鄭合，在升學(xué)的高壓里，撞上父母的離異與混亂的青春期，什么話都不想說。在安靜而未知的黑夜中，兩人的卡住人生，在深夜的加油站相遇了。

簡介：

解放前,雜亂的上海街頭,饑腸轆轆的流浪兒小牛偷了萬老頭修表鋪中一塊金表,他的小伙伴大貓和小耗子為之眼紅,于是發(fā)生爭斗,結(jié)果被帶往警察局拘押。至此,三個(gè)孩子又團(tuán)結(jié)一致,發(fā)誓嚴(yán)守金表的秘密。　拘押期內(nèi),小牛因爭食并動(dòng)手打人,又被送進(jìn)“兒童教養(yǎng)院”。教養(yǎng)院訓(xùn)導(dǎo)主任殷小臣發(fā)現(xiàn)了小牛偷金表的秘密后,便借此要俠他,唆使他盜賣院內(nèi)公物,此事被院內(nèi)名叫小胖的孩子發(fā)現(xiàn)。事發(fā)之后,教養(yǎng)院教導(dǎo)員雷春華著手調(diào)查。小胖準(zhǔn)備聯(lián)絡(luò)院內(nèi)孩子揭發(fā)殷小臣,小牛卻向殷小臣通風(fēng)報(bào)信。殷小臣先發(fā)制人,把小胖狠揍一頓。雷教導(dǎo)員為人熱情厚道,對小牛生活關(guān)懷備至,使小牛深受感動(dòng)。最后,當(dāng)小牛知道萬老頭因丟了顧客的金表被拘留三個(gè)月,他的孫女、小牛的好朋友翠翠孤苦伶仃,無依無靠時(shí),良心受到譴責(zé),終于坦白了自己的錯(cuò)誤,并揭發(fā)了殷小臣的違法勾當(dāng)。小牛的表現(xiàn),得到雷春華和孩子們的諒解和歡迎。

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　　姜子牙、姬發(fā)帶隊(duì)堅(jiān)守西岐，家園保衛(wèi)戰(zhàn)一觸即發(fā)！鄧嬋玉、聞仲奉商王殷壽之命，率魔家四將等殷商大軍征伐西岐，西岐一方得殷郊、雷震子、楊戩、哪吒等相助，更聚全民之力守衛(wèi)家園。兵戈相對、法術(shù)交鋒，兩大陣營掀起強(qiáng)強(qiáng)對決，關(guān)于“封神榜” 的爭奪正在繼續(xù)......

簡介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

簡介：沃拉爾的人生平凡無奇。他生長于一個(gè)虔誠的家庭，通過經(jīng)營一家坐落于伊斯坦布爾美國領(lǐng)事館對面的照相館，履行著作為養(yǎng)家糊口之人的職責(zé)，供養(yǎng)年輕的兒子和生病的父親。此外，他還延續(xù)家族傳統(tǒng)，指導(dǎo)兒子成為一個(gè)正直的人。但在表象之下，沃拉爾也有一個(gè)秘密：他和年輕的女顧客——為了申請美國簽證而找他拍照的索奈有了外遇。索奈一心想要離開這里，在夢想破滅后，憤怒的她和沃拉爾起了爭執(zhí)，威脅到了他平靜的生活。最終，沃拉爾必須做出選擇：是誠實(shí)地面對自己犯下的過錯(cuò)，還是掩蓋真相、走上道德淪喪的黑暗之路？

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　　本片以紀(jì)實(shí)風(fēng)格再現(xiàn)了1938年到1945年抗日聯(lián)軍第六軍被服廠女兵，傷兵醫(yī)院傷兵組成的留守團(tuán)在主力部隊(duì)西征后堅(jiān)持在老游擊區(qū)牽制敵人主力，于重重圍剿中突圍，進(jìn)入蘇聯(lián)整訓(xùn)，整編為抗聯(lián)第88教導(dǎo)旅打回東北的真實(shí)故事。
　　影片透過12歲女戰(zhàn)士李童的視角，塑造了耿團(tuán)長、裴大姐、白連長、金玉希、李亦奇等一批普通抗聯(lián)男女戰(zhàn)士在突圍中拼死互相保護(hù)，犧牲、被俘、最終生還的殘酷歷程。
　　本片改編自最后一個(gè)離世的抗聯(lián)女戰(zhàn)士李敏撰寫的回憶錄。
　　這是第一次用電影方式講述了抗聯(lián)后期從突圍到整編為教導(dǎo)旅再到打回東北的全過程。

簡介：Kath and Donnie are celebrating their 2nd year anniversary in Japan and decides to end their relationship when the trip ends.

簡介：

　　號稱“天下第一局”的象棋比賽在大梁皇帝和契丹國間展開，不同于普通的象棋，這里的所有棋子都是活生生的人。一場比賽下來，大梁慘敗。忠將葉全忠被奸臣冷子京陷害至死，其家人包括他女兒葉冷心（何美鈿 飾）被發(fā)配從軍；而主將岳懷仙（黃文豪 飾）則死里逃生，被民間棋王薛一驃（張衛(wèi)健 飾）所救。                                                                    　　在一驃和其母親的悉心照顧下，懷仙順利康復(fù)，而他的危險(xiǎn)卻仍舊未被解除。怕有后患的冷子京派他的女兒冷艷（樊亦敏 飾）前來追殺懷仙，但冷艷卻在得知真相后，開始對懷仙暗生情愫。他們在逃亡的過程中，邂逅了冷心。一群人陰差陽錯(cuò)的得到了秘籍“七殺真經(jīng)”，眾人從秘籍中練就了絕世武功，開始準(zhǔn)備反撲……